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PLATE LI: 
Fig. 1. A Benguet-Lepanto Jgorot woman on horseback, Tublay, Benguet. 
Fig. 2. A Tingian woman grinding rice between stones, Salapadan, Abra. 
Fig. 3. A Benguet-Lepanto Igorot man mounting a horse, Pico, Benguet. 
Fig. 4. Three styles of head-axe in use among the wild Tingians of Masimut, 
district of Apayao, Cagayan. 
Fig. 5. Back view of an Ifugao shield, Banaue, Nueva Vizcaya. 
PLATE LIT: 
Fig. 1. Negrito circle dance, Zambales. 
Fig. 2. Negrito circle dance, Mount Mariveles, Bataan. 
Fig. 3. Negritos of Zambales doing buck and wing dance. 
Fig. 4. Negritos of Mount Mariveles, Bataan, playing gansas and at the same 
time dancing on their knees. 
PLATE LIIT: 
Fig. 1. Llongots playing bamboo musical instruments, Delapping, Nueva 
Vizcaya. 
Fig. 2. An Ilongot executing a war-dance to the tune of a bamboo musical 
instrument, Delapping, Nueva Vizcaya.- 
PuatTE LIV: ; 
Fig. 1. A typical Ifugao dance, Quiangan, Nueva Vizeaya. 
Fig. 2. A Bontoe Igorot head-dance, settlement of Bontoe. The man at the 
extreme right who holds a head-axe in his right hand is the principal actor. 
Note that the women who are dancing all wear blankets. 
PLATE LY: 
Fig. 1. Two Bontoe Jgorot gansa players. Note their drumsticks, also the 
handles of their gansas consisting in each case of a human lower jaw; 
settlement of Bontoc. 
Fig. 2. Bontoe Igorot funeral dance, executed at Manila by people from the 
settlement of Bontoe. 
PLATE LVI: 
Fig. 1. Musical instruments of Benguet-Lepanto Jgorots consisting of a 
wooden drum with skin head; a gansa with boar-tusk handle and a wooden 
stick for use in playing the gansa. 
Fig. 2. Benguet-Lepanto Jgorot musicians. The jar at the left contains 
tapuy, a fermented drink made from rice with which both musicians and 
dancers frequently refresh themselves. 
Fig. 3. A typical Benguet-Lepanto Jgorot dance. Note the woman with the 
palms of her hands turned forward and the man with the blankets over 
his shoulders. : 
Puate LVII: 
Fig. 1. A Tingian woman of Balbalasan playing a bamboo mouth organ. 
Fig. 2. A Tingian man of Manobo, Abra, playing a nose-flute. 
Fig. 3. Tingian gansa players of Balbalasan. The gansas, the handles of 
which are hooked into the belts of the men’s clouts, are beaten with their 
hands. 
Pirate LVIIT: 
Fig. 1. A Tingian dance, Padangita, Abra. Note the feather ornaments on 
the heads of the dancers and the blankets in their hands. When one of 
the dancers wishes to stop dancing, that fact is indicated by giving the 
blanket a sharp snap. 
Fig. 2. Kalingas of Tooktook, Cagayan, taking a raft down a dangerous rapid 
of the Mabaca River. 
