400 



NOTES AND QUERIES. 



[2»d S. NO 72., May 16. '67. 



(iTi praiseful and penitential Hymns, Spiritual Songs, and 

 Moral Odes,) Meditations advancing the Glory of God in 

 the Practice of Piety and Virtue ; composed in a threefold 

 Volume by George Wither. With an Introduction by Edward 

 Farr. Mr. Farr well remarks that the full tide of sacred 

 song came in with the Reformation, and that nearly all 

 the best poets of the latter half of the sixteenth, and the 

 whole of the seventeenth centurj', were sacred poets. 

 Eminent among these was George Wither, who laboured, 

 as he says, according to his talent, with Herbert, Quarles, 

 Sandys, and others, to set aside profane and immodest 

 songs bj- restoring the muse to its ancient honour, tliat 

 of composing songs and hymns for the inculcation of 

 virtue and pietj'. Wither's Hallelujah was first printed 

 in 1641 ; but the work is of such rarity that Mr. Wilmott 

 states, in his Lives of Sacred Poets, that he had not been 

 able to see a copy. Two copies indeed onlj' are known ; 

 and the lovers of poetry of this high class are deeph' in- 

 debted to the Rev. Henry Wrightson, the possessor of 

 one of these, for the liberality with which he has placed 

 it at Mr. Smith's service, for the purpose of being re- 

 printed ; and to Mr. Farr for the care bestowed on such 

 reprint. The admirers of Wither will be glad to hear 

 that Mr. Farr proposes to make further inquiries into 

 Wither's political character: such inquiry, illustrating 

 as it would the biography of the poet, would be very 

 interesting. 



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4RUNDEL SOCIETY.— 

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