EECEEATIVE SCIENCE. 



301 



11. Its tj colour is red. 



12. It was very t| that lie sliould be 

 offended. 



(The above are so very simple, that no 

 solutions are needed ; but it is recommended 

 to young students to make, upon the model 

 of the foregoing, a number of other Habuses, 

 both for their own improvement, and for the 

 amusement of those younger and less profi- 

 cient than themselves.) 



zzz\~ S^^ renders the 



~i^— (or) ziZ'lZl PLEASUEE ; 



"^ — C— cases, the 



elusion of apiecc 



SECTION VIII.— VARIOUS OTHER MARKS. 



The Pause 

 NOTE longer at 

 and, in certain 

 composer expects some embellishments from 

 the performer ; but the pause on a rest ^ 

 only lengthens at pleasure the silence. T 



The Sign or Repeat :s; is a reference to 

 a passage, or straia, to which the performer is 

 to return : the Italian words al segno, or 

 DAL seo-no, denote such a return. 



The double bar — !]— marks the end of 

 a strain ; or the con zzE 



The DOTTED bars ziZ|iz~ , ^ 

 denote the repeat of — fH4— 

 the foregoing and following strain. 



When the bars are marked thus, 

 or iJius, mrnin then the strain only 

 on the — H^— side of the dots is to be 

 repeated. 



The Brace | ties together the two staves 

 used by the performer upon 

 the pianoforte or organ. It 

 is used to connect all the 

 vocal parts in a score, but 

 its chief use is as in the an- 

 nexed example. 



The Turn ~_ is an 

 embellishment, — * — the nature of which 

 your preceptor ~~ will explain to you. It 

 is sufficient bere that you should know its 

 name and form. i ■ 



The same remarks apply to the — ' 

 Shake, or Trill. —[■:■-- 



Dim. {diminuendo) ZI==- indicates that 

 the sound is to be decreased. 



Ores, {crescendo) -=nr, that the sound 

 is to be increased. 



The Tie, or Slue, ^ — --, placed over a 

 few or many notes, implies that they are to 

 be slurred over, or sung legato, i.e., con- 

 nectedly. 



P , or PiA., means Piano, and implies 

 that the passage against which it is placed is 

 to be played or sung softly, p p {pianissimo), 

 means very softly, f and f f (forte, fortis- 

 simo), signify loud and very loud. 



Eebuses upon Section VIII. 



1. In the midst of Ms harangue he camo 

 to a'^. 



2. "We should always '^ before any great 

 attempt. 



3. There was an awful '^. 



4. Why do you ^ ? 



5. They did not observe the precon- 

 certed '%., and we were obliged to K it. 



6. These were to be regarded as ^ '-& of 

 the times. 



7. They gave no ^ K of yielding. 



8. I was obliged, for my own ^j^ 

 protection, to put up a ~uz: 



9. The turnpike wa3 splashed over izzrjzz: 

 with clay, and reminded one of a zzzai-z; 



10. Courage ! let us i ourselves to the 

 work. 



11. You should be happy now that your 

 new P / has arrived safely. 



12. "Oh, she can i>>j and i^, and still 

 go on." — Shahsjpeare. 



13. -^ again Whittington! 



14. Young Phipps paid great attention to 

 the arrangement of his ^ ^ . 



15. Their misbehaviour was -- — ^red 

 over. 



16. The finances of Ealkenburg were in 

 a constant r=- . 



17. Henry is a rising man ; bis fortunes 

 are on the -=■= . 



W. Kewman. 



