156 TRANSACTIONS OF THE 



Julian Rix, of San Francisco. " Idlewild," Lake Tahoe summer 

 residence of Mrs. E. B. Crocker ; River San Juan, Nicaragua ; After- 

 noon on the Truckee River ; Coast Scene — near Santa Cruz ; Uncle 

 Sam Mountain — Clear Lake ; Lake Tahoe ; Tropical Sketch ; Morn- 

 ing on the River; Sunset on Clear Lake; Chimney Rock— after Bier- 

 staclt ; Off the Coast of Peru ; Beach near San Francisco ; Cornelian 

 Bay, Lake Tahoe; Suburbs of Sacramento ; Coast Scene near Pesca- 

 dero ; Big Tree Grove, Santa Cruz; Down the Coast; Mt. Diablo, 

 spring time ; Rio Obispo, Isthmus of Panama ; A Tropical Afternoon; 

 Scene in Nicaraugua, all by Norton Bush, of Sacramento. Lake 

 Maggiore. Italy, by Paul Weber. Silver ; Apples ; Apples, second 

 piece ; Still Life ; Crystal, all by S. M. Brookes, of San Francisco. 

 Hard Road to Travel, by William Hahn, of San Francisco. Por- 

 traits, Mrs. Strong and Dr. Hentz, by Joe Strong, of San Francisco. 

 Training the Puppy Regardless of Cost; Ophelia; Portrait of a Lady; 

 Light and Shade ; On the Beach; Quail Shooting; Flirting on the 

 Road ; Arab Girl, all by E. Narjot, of San Francisco. Mary Stuart's 

 Last Confession ; Explaining the Problem, both by Henry Raschen, 

 of San Francisco. Norway Fiord, by Samuel G. Phillips. Still Life, 

 by Miss M. Jones, of San Francisco — one of the pupils of the School 

 of Design. Life's Young Dream — after P. A. Cot ; Bear River, 

 Nevada; Mountain Stream, Sierra Nevada; three crayon portraits; 

 one landscape in oil, all by W. T. Jackson, of Sacramento. Mazat- 

 lan ; Landscape ; both by F. Schafer, of San Francisco. Two por- 

 traits in hardened clay, by Emil Lund, of Sacramento. Child- 

 hood — after C. L. Vogel; Youthful Gambols, Hottenroth; German 

 Interior, F. Wendler; Flowers, Miss Williams, of San Francisco; 

 Sleeping Beauty, Walther; Scene in the Alps, C. Millner ; Grandma's 

 Gift, Most; Whoa, Emma, Charles C. Nahl; Tonsorial Studio, Aug. 

 Hego; Morning Prayers, J. M. Hoffman; Portrait of General Grant, 

 F. Pebbles; Two Portraits, on marble. The thirteen last named are 

 from the gallery of Mrs. E. B. Crocker, of Sacramento. Photograph, 

 in oil, by Miss Julia Ostrom, Sacramento. Love's Young Dream; 

 Our Puss, crayon drawing; Crayon Photo; My Partner in the Dance, 

 pastel painting; Flowers, in oil; On Guard, pastel; The Wounded 

 Dove, in oil; Portrait, in oil; Crayon Portrait; Crayon Portrait; 

 Photo, in oil ; Photo, in oil ; Portrait, medallion ; Portrait, in water 

 colors — all by Miss Julia Ostrom, of Sacramento. Charcoal Draw- 

 ing from Life; Charcoal Drawing; Charcoal Drawing from Life; 

 Charcoal Drawing; Tropical Scene; Flowers; Flowers, second piece — 

 all by Miss Amanda Austin, of Yolo. Tropical Scene; Tropical 

 Scene, second piece ; Flowers, in oil ; Flowers, in oil — all by Miss 

 Flora Weeks, of Sacramento. Black and White, in oil, as follows: 

 South Pacific Coast Railroad Crossing, and Footbridge, over the San 

 Lorenzo River, at the Big Tree Grove, Santa Cruz; Scene on the 

 South Pacific Coast Railroad, showing toll-road to Felton and San 

 Lorenzo Creek, Santa Cruz; Orphan Rock (Tasmania scene), between 

 the mountains Gog and Magog, Australia; Big Creek Waterfall, 

 seventeen and a half miles from Santa Cruz; Upper Merced, Yo- 

 semite Valley scene; Santa Cruz Beach Scene, near Natural Bridge; 

 Humboldt Palisades; Snowy River, Australia; Snowy River, at a 

 distance; Cathedral Rock, Yosemite Valley; Santa Cruz Mountains, 

 near Los Gatos, on South Pacific Coast Railroad; Natural Bridge, 

 near Santa Cruz — all by Alma Woodleigh, Santa Cruz. Mount 

 Washington, and Sleepy Hollow, on the Hudson River — two pictures 



