246 APPENDICES 



(p. 546). We have rather stressed the importancCj for Taine, oi psychology ^ 

 which Professor Levin characterizes as *a loose system' (p. 547). 



3 Norman Foerster, Towards Standards^ p. 36. 



4 Ibid., p. 34. 



^ Cf. Appendix B, 'The Question of Taine's "Positivism".' 



6 Op. cit., pp. 547-548. 



"7 The Masters of Modern French Criticism, p. 223. 



8 History of English Literature, Book II, Chapter IV. 



9 For elaboration of some of these tendencies and categories, which unite 

 Taine to the Aristotelian tradition, see Professor Pepper's discussion of 

 'Formistic Criticism', Chapter 5 in The Basis of Criticism in the Arts. A footnote 

 on p. Ill discusses Taine's History and 77?^ Ideal in Art. 



