INDEX 



Note: Italics are used to indicate the chief entries. 



Absolute, ig-20, 24, 29, 53-54, 150, 

 210, 225; and induction, 214-215; 

 and infinite, 212, 224; and whole, 

 220; cosmic, 75^757, 23^-236; in 

 Hegel, 222; see also Idealism, 

 absolute 



Absolutism, opposition to, 126, 131 



Abstract and Concrete, 19, 34-33, 56, 

 58, 83, 130, 154, 233 



Abstract art, 77, 186, 242-243 



Abstraction, 10, 20, 27, 34-33, 40, 

 43-44, 63, 63-66, 69, 130, 145, 

 147, 154, 156-157^ 164, 190, 218; 

 ambiguity of, 47-49; and induction, 

 23-24; as verb and noun, 29, 80, 

 119, 146, 217; as weakness, 49-31, 

 157, 184, 198, 233; critique of, 47- 

 39, 223-224; defence of, 32-37, 

 172-173, 233; false and true, 57, 

 65, 68, loo-ioi, 137, 153, 232, 

 236; in art, 177-178, 243; in Mill, 

 146; in Whitehead, 161; in W. 

 James, 137 



Action, 240, 245 



Addison, Joseph, 68, 253 



Adler, Alfred, 123 



Aesthanalysis, 184 



Aesthetic, experiences, 184, 190; re- 

 lations in, 182-183; types, 178-181 



Aesthetics, Hegel's, 166, 224; in 

 Idealism, 155-156; in Taine, 26, 

 7^-75,84, 174 



Age, spirit of the ; see J^eitgeist, Time 



Ainger, Alfred, 193 



Alexander, the Great, 222 



Allegories, 50 



Ambiguity, 129, 172; of abstraction, 

 137; of essential character, 77; of 

 Master Faculty, 120; of moment, 

 109-110; see also Environment, 

 biological or cultural 



America, 100; see also United States 



Ampere, Andre Marie, 57 



Analogies, 71, 78, 90, 148, 165, 167, 

 179, 236, 242; abuse of, 198; chemi- 

 cal, 65, 108; ideal, 217; see also 

 Metaphor, biological 



Analysis, ix-xi, 3-4, 48, 52, 57, 74, 

 130, 150, 245; and creation, 123, 

 135? 1775 ^J^d criticism, 124-141 

 (Chapter X); and definition, 225; 

 and judgment, 24, 63, 84, 138, 

 162-176 (Chapter XII), 190, 245; 

 and quality, 188; and synthesis, 39- 

 46, 56, 116-119; factor, 123; levels 

 of, 64-65; see also Type analysis 



Anarchy of causes, 128, 130 



Anatomists, 46, 56, 94 



Ancient and Modern, 63, 72, 80, 108, 

 no, 167; historians, 169 



Anglo-Saxons, 252 



Anthropology, x, 9, 91, 92, 94, 100, 

 106, 123, 175; see also Sciences, 

 moral 



Anti-Naturalism, 6, 8, 124 



Appropriateness, 172, 179, 232 



Arbitrary explanations, 69 



Archetypal patterns, 187 



Architecture, 76-77, 165, 167; Gothic, 

 171-172 



Ardennes, Vouziers (Taine's birth- 

 place), 14, 30, 91; essay on, 260 



Aristocratic, bias, 51, 64; principle, 96 



Aristophanes, 67 



Aristotle and Aristotelianism, 5, 10, 

 16, 26, 56, 62, 103-104, 185, 200, 

 217, 221-222; and criticism, 244- 

 246; and Descartes, 213-214, 225; 

 criticisms of, 19-20, 213-213; prime 

 mover, 212; see also Appendix A, 

 passim 



Arnold, Matthew, 131, 140 



Art, and science, 170, 175; and 

 society, 78, 172, 189, 200; as imi- 

 tation and expression, 76-78, 85, 

 182; definition of, 76—77, 162, 181, 

 188, 190; imitative and non- 

 imitative, 76, 167; modern, 51, 63, 

 77, 81, 166, 186, 188, 229; nature 

 and conditions of, 74-84 (Chapter 

 VI), 182, 178; production of, 78- 

 79, 133; schools of, 74, 81, 85, 171, 

 238; universal, 238; see also Aesthe- 

 tics; Taine, Lectures on Art 



269 



