INDEX 



271 



ii9» 



Characteristic, 51 



Charcot, Jean M., 116, 258 



Chateaubriand, F. R. de, 64 



Chaucer, Geoffrey, 95, 252-253 



Chemistry, 65, 108-109, 11 in 

 135, 147, ^54,231-234 



CiviHzation, 66-67, 150, 168; in de- 

 cline, 158; in Europe, 209 



Clarity, 172, 179, 232-233; see also 

 Vagueness 



Classic and Classical, 10, 12, 49, 51, 

 81, 83, 181; balance with Roman- 

 tic, 10, 51, 185-186, 200, 203; in 

 Taine, 121, 138, 245; versus Ro- 

 mantic, 92, 170, 185, 239; see also 

 Criticism, classical 



Classification, 24, 173; fallacies of, 

 186 



Climate, 62, 75, 78, 80, 90-92, 107, 

 no; as challenge, 90; extremes of, 

 97; of opinion, 131 



Cohen, Morris R., 139, 152-155, 160, 

 178, 232-233 



Coleridge, Samuel Taylor, 34, 97, 

 170, 175, 181, 185, 188 



College Bourbon, see Bourbon Col- 

 lege 



College de France, 33 



Comedy, 181; and realism, 239 



Communication, 145, 164, 172, 183, 

 186; poetry as, 128, 133-134', 

 Taine's neglect of, 190, 199, 202 



Comparative, literature, 201-202; 

 method, xi, 94, 184 



Compensation, psychological, 1 28- 

 129 



Composition, see Organization 



Comte, Auguste, 52, 104, 113; Taine's 

 knowledge of, 228-230 



Concept and Concepts, 27, 29, 58, 69, 

 123, 127, 14&-147, 214, 223, 233; 

 arbitrary, 232; formation of, 146; in 

 Taine and Hegel, 223-224; rigidity 

 of Taine's, 199 



Conception, 213, 219; see also Per- 

 ception 



Conceptualism, 41, 145, 148 



Concrete, 19, 29, 152, 215; see also 

 Abstract 



Concreteness and Universality, 155, 

 187; as criteria of judgment, 183- 

 186, 243; balance of, 203; of na- 

 tions, 202; in aesthetic criticism, 

 170-171, 175, 178, 181-183 



Concrete Universal, 28-29, 146, 755- 

 157 J i79j 181, 183, 185, 223; and 

 brotherhood, 202; Bosanquet's an- 

 alysis of, 235-236 



Condillac, fitienne Bonnot, abbe de, 



7.40. 139 

 Conditions, 9-10, 74, 1 17; and causes, 

 22-23, 70; of 'high art', 81-83, 93, 



96-97 



Conflict and choice, 22 



Consciousness, and matter, 161; role 

 in art, 179 



Construction, see Synthesis 



Content, and form, 62, 170; and treat- 

 ment, 162, 181; universals of, 180 



Contexts, 128, 131-132, 134, 157, 

 186-187 



Contingency, see Chance 



Continuity, see Development, Dis- 

 continuity 



Contraries and Contradictions, 29, 

 103, 211, 219, 223, 225; non- 

 contradiction, 235; reconciled, 244 



Convention, 4, 180, 239; in Taine, 

 199, 200-201, 205 



Convergence, 3, 126, 750-/5/, 165- 

 166, 168, 170, 175, 181, 190, 237, 

 240-241 



Corneille, Pierre, 51, 259; see also 

 Taine, 'Corneille et Racine' 



Correggio, Antonio, 162 



Correspondence, assumption of, by 

 Taine, 199, 218; of criticism and 

 history, 133, 182; of poem and 

 poet's personality, 134; of scales of 

 value, 164-165; of science and art, 

 170, 173; of work and medium 

 (country and age), 75, 79, 109, 

 128-129; with reality, 29, 76, 145- 

 148, 164-165, 232; see also Life and 

 art. Unity 



■0: 



-26 



Coup d'etat (185. 



Courtier, 66, 



Cousin, Victor, 24, 33, 40, 47-49, 

 56-57, 187, 250 



Creation in evolution, 234 



Criteria, 4, 8, 68, 133, 156, 163, 178, 

 181, 186; aesthetic versus scientific, 

 167-169] concreteness and univer- 

 sality, 1 70-1 7 1, 191; of racism, 94; 

 maturity, 168; moral, 168; Taine's, 

 applied, 242-243; see also Conver- 

 gence; Character, degrees of benefi- 

 cence and importance of; a.nd passim 



