INDEX 



273 



Environment, 5, 44, 50, jQ-yg, 83- 

 84, 88-89, 96, 103-107; and pro- 

 duction of art, 97, 1795 182, 244; 

 and race, 90; biological or cultural, 

 102, no, 187, 218-219; economic, 

 106; friendly or antagonistic, 104, 

 107, 129; social, 104-106; see also 

 Milieu 

 Epics, 168, 171, 239 

 Epoch, 151, 168; as discontinuous 

 development, 109- no; see also 

 Time 

 Equivocation, see Ambiguity 

 Error, 225, 232 



Essence, 7, 20, 28-29, 57-58, 188, 212, 

 214-215, 254; and cause, 216, 266; 

 and manifestation, 19-20 

 Essential character, 7, 76-78, 84, 100, 

 167, 245; made predominant, 76, 

 119, 121, 163-165, 181, 242; under- 

 standing of, 188 

 Existence, 18-20, 23, 54, 137? i47j 152, 

 212, 224; and essence, 214-215; and 

 possibility, 29; and thought, 28, 34, 

 156, 216; of ideals, 187 

 Experience, 5, 10, 17, 35, 43, 52-54, 

 152, 210; as art, 132, 156; of artist, 

 184; of artist and critic, 133-134? 

 170, 182; of artist and scientist, 

 180; of work of art, 126, 132, 178, 

 183; sciences of, 150, 189; universal 

 aspects of, 183, 187 

 Experiment, 40-41, 150, 173, 184, 



187, 225 

 Explanatory Reason of Thmgs, see 



Raison d^etre 

 Explication de texte, see Textual analysis 

 Expression, 62, 76-77, ^3% 167, 170, 



190; of personality, 182 

 Extension, 48, 212; bodily, 214 

 External and Internal, events, 41, 

 1 1 7-1 18, 157; forces or factors, 24, 

 125, 165; relations, 88, 96, 126- 

 127, 132-135, no, 175, 182-183, 

 238-239, 241 

 Extrinsic and Intrinsic, 125, 132, 188; 

 see also External and Internal 



Fables, theory of, 40, 49-50 

 Facts, 41-44, 48, 57; and causes, 65; 

 and relations, 96, 126, 217; free- 

 dom from, 177; simple and com- 

 plex, 53-54; summary and genera- 

 tive, 43, 47 



S.A.J. 18 



Faculty and Faculties, 16, 44, 48, 79, 

 118, 136-137; dominant, see Mas- 

 ter 

 Faith, poetic, 181; see also Religion 

 Field, 104, 139, 157; see also Environ- 

 ment 

 Fiske, John, ix, 22-23, 190 

 Flanders and Flemish, no, 179; see 

 also Taine, The Philosophy of Art in 

 the Netherlands 

 Flaubert, Gustave, viii, 46, 200, 257 

 Foerster, Norman, 6, 12, 245 

 Force and Forces, 20, 22, 28, 46, 80, 

 88, 118, 165, 167-168, 170, 175, 

 185; and events, 117, 127; and sub- 

 stance, 48, 56-57, 117, 215; in art, 

 180, 197, 237-241, 245; long-range 

 and short-range, 108 

 Form, 79, 85, 156; and character, 

 168; and content, 62; artistic, 

 178-179, 188, 243 (Taine's neglect 

 of, 198); ideal, 148, 169; see also 

 Causes, formal 

 Formism, 246; see also Aristotle 

 Formula. 44, 51, 54, 62, i73-i74j ^^^, 

 250, 254; as literary apergu, 55; 

 chemical, 232; universal, 57; see 

 also Law 

 Fortoul, H. (Minister of Public 



Instruction), 23, 25, 30, 33, 221 

 Fourier, Charles, 210, 228-229 

 France and French, 5, 25-26, 33, 

 64, 68-69, 94» io3j 105, 127, 202- 

 204; and England, 34, 105, 172; 

 and Italy, 105; between England 

 and Germany, 7, 34, 54, 69; 

 criticisms of, 95; literature in 1857, 

 46; philosophy in, 139-140, 251; 

 race, 90-92, 94, 120, 238; see also 

 Gallic Spirit, Paris, Politics in 

 France, and passim 

 France, Anatole, 173 

 Franco-Prussian War, x, 5, 14, 134, 



203-204, 258-260 

 Freedom, 27-28; and necessity, 86; 

 and responsibility, 131; in history, 

 69-71', of artist, 177, 187, 229; 

 political, 26; problem of, 21-23 

 French Academy, 39, 51, 63, 249, 

 250, 253, 256; Taine a member of, 

 260 

 Freud, Sigmund, and Freudianism, 

 22, 116, 123, 129, 140, 187; see also 

 Oedipus 



