AUTHENTIC LIKENESSES 393 



edited by Robert Buchanan, and Maria R. 

 Audubon, Audubon and His Journals. 



4. 1828.— Oil portrait by C. R. Parker, 36 by 28 inches; 



painted for Audubon's friend, Walter Horton 

 Bentley, Manchester, England, and in posses- 

 sion of the Bentley family ever since. Audubon 

 is represented in a green coat, a crimson cloak 

 with deep fur edging thrown over one shoulder, 

 and with portfolio in hand. 

 For information concerning this fine but little known por- 

 trait, as well as for the photograph reproduced in Vol. I, p. 416, 

 I am indebted to Mr. Ruthven Deane. In 1913, Mr. John Con- 

 way Bentley, a grandson of the former owner, formerly of 

 Glasgow, but then living in Cheshire, England, attempted to 

 dispose of the Parker portrait in this country. 



5. 1826. — Oil portrait by John Syme; painted at Edin- 



burgh, November, 1826; supposed to have been 



engraved by W. H. Lizars, but no trace of 



painting or engraving has been found. See 



Maria R. Audubon, op. cit., vol. i, pp. 157 



and 165. 



On November 27, 1826, Audubon wrote: "At twelve I went 



to stand up for my picture, and sick enough I was of it by 



two ; at the request of Mr. Lizars I wear my wolf-skin coat, 



and if the head is not a strong likeness, perhaps the coat may 



be." In writing to his son, Victor, in 1833 (see Chapter 



XXVII, p. 57), Audubon said: "I am glad to hear of Kidd & 



Co.'s publication of Parrots, but I regret that my face should 



have been there from Syme's picture, which in my estimation 



is none of the best." 



6. 1828. — Oil portrait painted in London by an American 



artist named Parker, in August, 1828; Parker 

 subsequently accompanied Audubon and 



