396 APPENDICES 



that this mask was made while Audubon was at their home 

 in London; the matter was treated in a jocular way, as Audu- 

 bon lay upon a sofa with straws in his nose, while submitting 

 to the rather unpleasant ordeal of having a mold made of his 

 countenance. Mr. Havell, to whom I am indebted for the sub- 

 stance of this note, also possesses the silver loving cup, which 

 Audubon presented to Robert Havell upon the completion of 

 the second volume of his illustrations in 1834 (see Chapter 

 XXXII, p. 192). For notice of another mask by O'Neill, Edin- 

 burgh, 1827, see Maria R. Audubon, op. cit., vol. i, p. 205. 



11. 1838. — Portrait in oils, three-quarters length, by George 

 P. A. Healy; represents Audubon in hunting 

 shirt, with flowing collar open at neck, knap- 

 sack at side and gun in hand (see Frontispiece, 

 Vol. II) ; painted in London upon the initiative 

 of the artist, still struggling for recognition. 

 This portrait, with a number of other paintings, was raffled 

 at Boston, at a later day, when it was won by the artist, who 

 then gave it to a former patron, Mr. Bradlee, by whom it was 

 presented to the Boston Society of Natural History, and it 

 now hangs in the library of that institution. The present re- 

 production is from a photograph received through the kind- 

 ness of Mr. Ruthven Deane, who still owns the negative, which 

 was reproduced in Mr. Healy's Reminiscences (see Bibliog- 

 raphy, No. 197). 



12. 1845. — Cameo, by John C. King; original intaglio, 



in shell, a cast of which was given by the artist 

 to Mr. Kennard, and is now in possession of 

 Mr. Frederic H. Kennard, of Boston ; cast first 

 reproduced by C. Hart Merriam, in The Auk 

 for 1908 (see Bibliography No. 226). 

 Mr. King was a Scotch artist and sculptor, who died at 

 Boston, April 21, 1882. 



13. 18J/.1 ( ?). — Portrait in oils, full length and size, by John 



Woodhouse Audubon ; figure seated, with land- 



