All of these processes, except that of binding into cloth 

 or leather covers, are carried on under our roof. 



The motto of the Williams & Wilkins Company is 

 Sans Tache. Our ideal is to publish books "without 

 blemish" — worthy books, worthily printed, with worthy 

 typography — books to which we shall be proud to 

 attach our imprint, made by craftsmen who are willing 

 to accept open responsibility for their work, and who 

 are entitled to credit for creditable performance. 



The printing craftsman of today is quite as much a 

 craftsman as his predecessor. There is quite as much 

 discrimination between poor work and good. We 

 are of the opinion that the individuality of the worker 

 should not be wholly lost. The members of our staff 

 who have contributed their skill of hand and brain to 

 this volume are: 



Composing: Zeddie Breithaupt, Howard Fogle, Harry Harmeyer, 

 Kurt Woernle, William Kidner, Ray Kauffman, Benjamin Hatcher, 

 Thomas Loving, Herbert Leitch, William Fite, Harr>' LaMotte, Edward 

 Rice, Roland Stultz, John Dotterweich, William Koch, George Eehr, 

 Ernest Salgado, William Sanders, George Moss, Andrew Rassa, Frank 

 Zeller, Walter Phillips, Richard King, Henry Shea. 

 Press: August Hildebrand, Raymond Gallagher, Robert Gallagher, 

 Clarence Ridgeway, Henry Eckert, Henry Augsburg. 



Keyboard: Minnie Foard, Harrj^ Susemihl, Vera Taylor, Anna 

 Kell}'', Kathryn Wilson, Anna Thomas, Eleanor Luecke, Catherine 

 Kocent, Hannah Scott. 



Caster: Kenneth Brown, Ernest Wann. Charles Aher, Mahlon Robinson, 

 George Smith, Theodore Xilson, Oscar Helbrig, Frank ISIalanosky. 



Folder: Lawrence Krug. 



Proof Room: Sarah Katzin,Mary Reed, Alice Reuter,Ruth Trieschman, 

 Ethel Strasinger, Lucille Bull, Angeline Eifert, .Audrey Tanner, Edna 

 Clark, Lewis Fornej', Dorothy Strasinger, Lillian Gilland, Arthur 

 Baker. 



