The Clausula in Ammianus MarceUinus. 123 



of accent and syllabication) and those of a critical nature (dealing 

 both with text criticism and the higher criticism). Some of the 

 facts presented in this second part are of a nature to arouse interest 

 even among those who stand aloof from the field of rhythmical 

 studies. 



Not only with the idea of facilitating control of my statements, 

 but with the larger purpose of presenting a clear and intelligible 

 picture of Ammianus' rhythm, I shall introduce my discussion of 

 the subject by printing Book XXI in full, sundering the kola from 

 one another and marking the form and type of each clausula. 



