>50 



PROGRESS OF ANTHROPOLOGY IN 1890. 



used resting on a support; (8) flaking by pressure, bom' ])iiicers being 

 used. 



Fig. 8.— Flaking by pressuic; bone pincers being usu<l. 



An excellent example of the study of art genealogically is Henry Bal- 

 four's description of the old British pibcorn or horn pipe and its affini- 

 ties. (J. Antlirop. Inst, London, xx, 142-154,2 pi.) The family tree 

 would stand thus: 



Prototyjie. 



(Cornstalk or slender reed with vibrating tongue.) 



I 

 Single reed pipe with movable reed (e. (j. Arab pipe). 



Double pipes. 

 (Arghool.) 



Double pipes. 

 (Zummarah.) 



Single pipe with 

 reed-cover and 

 horn bell-mouth. 

 (Pibcorn.) 



Persian bagpipes, 

 (nei ambdnah.) 



Double bagpipes 

 f o rm , w i t h two 

 horn bell-mouths. 

 (Arab zougg^rah.) 



( Hind oo Magoodi, 

 ifc c . , types with 

 horn bell-mouth.) 



Double pipes w ith 

 single bell-mouth. 

 (Greek hornpipe.) 



Greek bagpipes. 



In the accompanying plates the relationships are better presented to 

 the eye. They are marked in and iv. 



EXPLANATION OF HENRY BALFGUR'S PLATE III. 



Fig. 1. Double hornpipe, from the village— dio Maria, Tenos, Grecian Archipelago. 



Fig. 2. Side view of same. 



Fig. 3. Upper portion of same, with gourd mouth-piece removed, showing reeds. 



Fig. 4. One of the sounding reeds removed. 



Fig. h. Bagpipes from the Grecian Archipelago. 



Fig. 6. One of the sounding reeds removed. 



Fig. 7. Pibcorn from the island of Auglesea. 



Fig. 8. Back view of the pipe, with end pieces removed, showing reed in situ. 



Fig. 9. Sounding reed of same. • 



