EXPLANATION OF PLATE 19. 

 Fig. 1. Dots SMGHTr.Y pholoxgkd arraxgkd in hoiuzontal parallels, with 



PANKLS OK THE SAMK ARRAXGKD PKRPKNDICULARLY. 



(In-eiiwell, Briti-li Barrows, page 67, fig. 54. 



Fig. 2. Orxamk.ntkp ki.m of ci.verary urx, parallel lixe.s ix relief, with a 

 siXGLE row of indextatio.vs formixg a bead or molding with panel 

 between. 



Idfiii, i)age 08, fig. 55 



Fig. 3. Thu.mh-xail decoratiox ix parallel horizoxtal lines. 



Idem, page 09, fig. 56. 



Fig. 4. Orxamkxtatio.v by links of twisted cord arranged in parallels 

 alternately horizontal and vertical. 



Idem, page 70. fig. 57. 



Fig. 5. Large indentations, crescents, made with the thumb nail. 



Idem, page 71, fig. 58. 



Fig. 6. Rim decoration of alternate bands of dots and incised lines, with 

 scallops in high relief. 



Idem, page 7.3, fig. 60. 



Fig. 7. Zigzag or herring-bone decoration, rows of parallel incised lines. 



Idem, page 74, fig. 61. 



Fig. 8. Ornamexted band for rim of vessel, rolled in high relief, zigzag 

 between two moldings. 



Idem, page 72, fig. 59. 



Fig. 9. Zigzag or dogtooth decoration, imprint of cord. 



Idem, page 75, fig. 62. 

 Fig. 10. Imprint of cord in horizontal parallel lines. 



Idem, page 75. figs. 62. 63, 64. 

 Fig. 11. Lines of dots in horizontal parallels divided into chevron, ,>og- 



TOOTH, AND square FORMS. 

 Idem, page 76, fig. 65. 



Fig. 12. Decoratiox of rim of bowl by dots and marks, in parallel lines 



WITH dogtooth or VANDYKE POINTS FORMED OF INCISED LINES PARALLEL 

 TO E\CH other and to THK SIDES OF THE TKIAX'GLE. 



Idem, page 86, fig. 71. > 



Fig. 13. Lines made by dots avith bone point or hard wood, in horizontal 



bands, divided by PERPENDICULAR COLUMN INTO PANELS FORMING A 

 square, the CENTER OF WHICH LEFT VACANT, FORMS A ST. ANDREW'S 

 CROSS. 



Dawklna, Early Man in Britain, page 361, fig. 127. 



Fig. 14. Combination of small herrixg-bone, dogtooth, and twisted-cord 



DECORATIOX FOR THE RI.M, AND PERPENDICULAR LINKS OF SHORT INCISIONS 

 in GROUPS OF FOUR OR FIVE ALTERNATING, COVERING THE BODY OF THE 

 VASE. 



Green well, British Barrows, page 88, tig. 73. 

 Fig. 15. Engraving (intaglio) on support of dolmen of Petit-Mont, Arzon 

 (Morbihan). 



I)e Mortillet, Musee Preliistoriqne, flg. 581. 



Fig. 16. Furrows (intaglio), four or five together in parallel lines, some 

 horizontal and continuous around the vase, others in reversed 

 festoons. 



Greenwell, British Barrows, page 89, flgs. 75,76. 



Fig. 17. Combination of lines, some ixcised, others the i.mprint of a cord, 

 horizontal, perpendicular, and zigzag. Many combinatious. 



Idem, page 94, fig. 81. 



Fig. 18. Pottery stamped in imitation of basket work. 



Fig. 19. Ornamentation in combinations of incised lixes and cord imprixts 

 arraxged in horizontal parallf:l zones and in lozenge form; a 

 center zone broken by parallel panels or bands of smooth surface. 



Greenwell, Briti.sh Barrows, page 101, fig. 89. 



Fig. 20. Same specimen as fig. 19, with incised lines and cord imprint in 



HORIZONTAL BANDS AND DOUBLE ZIGZAG, FILLED WITH PARALLEL LIXES 

 AT 45 DEGREES. 



Idem, page 101, fig. 89. 



Fig. 21, Small dots in continuous parallel lines at an angle of 45 degrees 



BOTH ways; arranged in bands or zones of HERRING-BOXE PATTEltX. 



A common form of decoration in Brittany. Vase from dolmen of Portivi, 

 Quiberou. Original, Museum of Vannes. 



De Mortillet, Mu.see Prehistorique, fig. 531. 



Fig. 22. Dots slightly proloxged, ix parallel lixes, formixg reversed pyra- 

 mids, AXD ARRAXGED IX BAXDS AROUND THE VASE. 

 Greenwell, British Barrows, page 96, fig. 83. 



Fig. 23. Lmprints of cord showing only three or four twists, applied in 



DIFFERENT FORMS, THE WHOLE ARRANGED IN BANDS AROUND THE VASE. 

 Idem, page 97, fig. 84. 



