122 THE WA-WAC-KA-TCI-NA : 



cover the face. The nose with nostrils is represented in 

 relief^ and the lips are protuberant. The eyes are simple 

 round holes, without ornaments or marks to represent eye- 

 brows. 



The mask is painted white with vertical parallel red lines 

 extending the whole length of the face and along the mid- 

 dle line of the nose. The hair is stiff black horse hair which 

 is tied to the u))per rim of the mask and stands upright. 

 The ornamentation of the face of a Ute-ce-e mask (PL ii, 

 fig. 3), used in the Hu-mis-Kd-ici-nd, which I have ex- 

 amined, is somewhat different from that already described. 



Like the above mentioned it is painted brick red, the 

 nose and eyebrows being formed of pieces of leather of 

 the same color affixed to it. Across the face on a level 

 with the eyes is drawn a black band and radiating black 

 marks are painted above the eye openings. A similar par- 

 allel black band and radiating black marks are painted 

 above the eye openings. A similar parallel black band is 

 painted from each corner of the mouth to the edge of ihe 

 mask. Across the middle of the face and over the nose is 

 painted a zigzag white band, with live parallel zigzag white 

 bands on the chin. 



The photographs (PI. i, fig. 2) of Ule-ce-e-Kd-tci-nd 

 show that his body, arms, and legs are crossed by parallel 

 lines made by drawing the fingers smeared with color over 

 the skin. The photographs of Ule-ce-e-Kd-tci-nd in the 

 Wd-wdc-kd-tci-nd show that he wore a tight -fit ting cap 

 without a wig while in the Hu-mis, the same Kd-tci-nd has 

 the long black horse hair unconfined. 



Another mask (PI. ii, fig. 3) of the Apache Kd-tci-nd 

 was much more complicated than either of those which we 

 have described, but like the former, the face was painted 



>Tlie nose of the pot helmets used in Kd-tci-nd dances is rarely if ever repre- 

 sented. 



