I are hoc Opus a Jacobo Robusti depict am in Schola S: Roca Venetiisladservatum. 



J: B: Jackson Anglus qui Ligno Coelavit humillime D.D.C. 1741." 

 On shield, bottom center (center plate): 



"HoNi SoiT • Qui • Mal y Pense-" 

 Below shield, bottom center (center plate): 



"Honor- Virtutis- Premium." 



A bust portrait of a man in 18th-century dress is visible on the right 

 knee of the woman with a child in the center background of the left sheet. 

 It is not a likeness of Richard Boyle. Could this be a self-portrait by 

 Jackson? 



A trial proof of the key block, center sheet, is in the Rosenwald Collec- 

 tion, National Gallery of Art. 



23- 



Miracle of St. Mark, after Tintoretto [Le Bl. 15, N. x] 



Dimensions: 



zz\ X i/f inches (left sheet), 2.i^ x lyf inches (right sheet). 



Blocks, 4: 



BufF, light brown, dark brown, dark gray. 



Inscription, lower left (left sheet): 



"Per illustri D°° D°°/Eduardo Wright, /Armigerojpulcrarum Artium ex-j 

 cultori vel soUertissimoJhoc Jacobi Kohusti/C^communiter Tintoretto') /praclarum 

 opus in/sua argumentum ob-lservantia addicit, et/consecrat y B. Jackfon." 



24. 



The Marriage at Cana, after Veronese 

 Dimensions: 



i3 X i6f inches (left sheet), rri, x i6f inches (right sheet). 

 Blocks, 4: 



BufF, dark buff, violet-brown, dark brown. 

 Inscription, lower left (left sheet): 



"Paulo Cagliari /Veron: Pinxit." 

 Lower right (right sheet): 



"Rev""- D"°* P./Leopoldo Capello Coenobii D: GEORGii/Ord: S: Benedict:/ 



Abbati/ meritissimo-IJ: B: Jackson/D. D. D. " 

 Extreme lower right (right sheet): 



" J: B: Jackson Del in: Sculp. !& excudit Venetiis 1740." 



Jackson in the Enquiry (p. 48) described this print, and the two preceding 

 subjects, as being "in Hugo's Manner with Improvements." 



'7 



9 



