146 WOOD XOTES WILD. 



Song-Sparrow. (5« p. 23.) 



The late Mr. Harry Leverett Xelson, of Worcester, must 

 liave received much the same impression from the sing- 

 ing of the song-sparrow. 



"At this season" [April], he writes, "this beaatiful singer cannot be 

 mistaken, nrrering three or fotir pipes, or -whistles, followed by canarv-Uke 

 trills and quavers, not very loud, but spirited and vivacious. There is, 

 perhaps, no other of our birds whose song varies so much in detail and 

 execution, though the qnality and theme are always the same; and 

 sometimes the same singer will give us five or six different variations in 

 rapid succession without changing his perch." — Nelson, H L.: Bird-songs 

 about Worcester, p. 10. 



See Ingersoll, E., in Friends Worth Knowing, chap. vii. pp. 171-lSl. 



See als'j Bieknell, E. P. : Song-sparrow, in his Study of the Singing of 



our Birds. ( The Auk. vol. i., 1SS4, pp. 65, 70 ; voL iL, 1SS5, pp. 147-149.) 



Mr. Torrey does not find the theme " always the same." 



" The song-sparrow . . . will repeat one melody perhaps a dozen times, 

 then change it for a second, and in turn leave that for a third, as if he 

 were singing hymns of twelve or fifteen stanzas each, and set each hjrmn 

 to its appropriate tune. It is something well worth listening to, conunon 

 though it is, and may easily suggest a number of questions about the ori- 

 gin and meaning of bird music." — Torrey, B. : Birds in the Bash, p. 40. 



" The song of the song-.sparrow is sweet, lively, and poured out with 

 an energy which doubles its charm. It has several variarions, which 

 Blight excusably be attributed to two or three species ; but the one most 

 often heard is that which they give utterance to in the spring. This is 

 an indescribable song, characteristic of itself. It usually begins with a 

 thrice-repeated note followed by the sprightly part of the music, con- 

 cluding with another note which, like the first, is often tripled." — BDnot, 

 H. D. : Land-birds and Game-birds of X. E., p. 206. 



" When he first arrives, while the weather is yet doubtful and tmsettled, 

 the strain appears contemplative, and often delivered in a peculiarly low 

 and tender whisper, which, when barkened to for some time, will be foimd 

 more than usually melodious, seeming as a sort of revery, or innate hope 

 of improving seasons, which are recalled with a grateful, calm, and tender 

 delight. At the approach of winter, this vocal thrill, sotmding like an 

 Orphean farewell to the scene and seasons, is still more exquisite, and 



