18 ANNUAL REPORT SMITHSONIAN INSTITUTION, 1933 



in 1914 and assigned to the United States National Museum, were 

 transferred to the Gallery. 



LOANS ACCEPTED BY THE GALLERY 



Four early American family portraits: Joseph Turner, and Eliza- 

 beth Oswald Chew, by John Wollaston (middle eighteenth century), 

 John Crathorne Montgomery, and Mrs. John Crathorne Mont- 

 gomery, by Thomas Sully (1783-1872); lent by Mrs. H. H. Norton 

 (Mrs. Mary Montgomerj'' Norton). 



A standing portrait of Abraham Lincoln, painted in London, by 

 Charles Snead Williams in 1931-32; lent by the artist. Returned 

 to his agents, November 21, 1932. 



Two portraits in pastel by James Sharpies (1751-1811), of Gen. 

 James Miles Hughes, original member of the Society of the Cincin- 

 nati, and Mrs. James Miles Hughes, his wife; lent by Madame Florian 

 Vurpillot, through Mrs. R. G. Hoes. 



Marble bust of Gen. John J. Pershing, by the late Moses Wainer 

 Dykaar. 



Life-size portrait bust in Carrara marble of Col. Charles Ho5^t 

 March, Chairman of the Federal Trade Commission, by Louise 

 Kjdder Sparrow (with rectangular base); lent by Mrs. Charles 

 Hoyt March. 



GALLERY LOANS RETURNED 



Mrs. Herbert Hoover returned two paintings borrowed by her 

 from the National Gallery in 1929 for exhibition in the White House. 

 They are Love and Life, by George Frederick Watts (returned 

 Sept. 8, 1932), and Castle Creek Canyon, South Dakota, by Frank 

 De Haven (returned Mar. 1, 1933). 



Two portraits, one of George Washington by Charles Willson 

 Peale, the property of John S. Beck, and the other of Dr. William 

 Shippen, Jr., by Gilbert Stuart, the property of Dr. L. P. Shippen, 

 were returned by the Corcoran Gallery of Art at the request of their 

 owners, where they had formed part of the Bicentennial exhibition 

 of portraits of George Washington and his associates, March 5 to 

 November 24, 1932 (returned Nov. 28 and 29, 1932). 



The original working model in plaster of the bronze equestrian 

 statue of Lafayette erected in the square of the Louvre, Paris, by 

 the school children of the United States in 1900, which was lent to 

 Mrs. Bartlett in October 1931 for a memorial exhibition of the life 

 work of her husband, Paul W. Bartlett (1865-1925), held in New 

 York City, was returned by Mrs. Bartlett on December 20, 1932. 



Four paintings and four busts, exhibited for a number of years at 

 the Cosmos Club, Washington, D.C., were recalled on Alarch 1, 1933. 

 The paintings: Indian Summer Day, by Alax Weyl, A Pool in the 



