GRAGG. — THE GREEK EPIGRAM BEFORE 300 B. C. 



37 



i>20 



IOC). 



81. 



2.-5(). 



S4r. 



170. 



174. 



83. 

 235. 



59. 

 149. 

 217. 



243. 



219. 

 177. 

 239. 

 255. 



ayi-jpavTio )(i)u>fi(i'oL eiXoytrj 

 dOdfaTov fj.vqfia dpfrrji idaruv. 



pLvr]jxa . . . aduvaroy 6fr]rois. 



nalBas naidcov (Tri8ov(Tai>. 



Xuiperf 01 irapiovTfs eyo) . . . 

 Kfifiai T»;Se Oavinu narplba yrjit 

 irpoXcTTMv. 



222 b. afjiOovov fvXoylai nrjyfju. 



27()y. (v8u^a> xpuipfi/os (vXoyiji. 



109. KaXXuTTou 8 upfTTJi pv'qp.^ fXintw 



(fidifX€l/Ol. 



273. dBavnTov 6vr)T<a nuTpl yepas reX/- 



(TCIS. 



Iv 44 (k) IV/III). TratSdf TTai8oiv eni- 



^ova-a (cf. H 7()). 

 K 23 (S IV). Xaipere 8' ol irnpiovTfs, 

 €[y]d) 8i XtTrwf 7r(irpi8a evddSe 

 Kfipai. 

 'EXXrji'oii' 7rponaxovvTfs'Adr]va7oi REG 1904, 2. 'EXXrjvoiu TrpopaxovvTfs, 



Mapadcovi. 'Adrjuaiav noXeprjrus. 



'E^ ot y' ECpwTTTjv. K 768 (S V/IV). 'E]^ oS r Eipoinr]p. 



K 844 (S IV). 'E^ ov KeKpona Xaos. 

 'Q ^elu ... 94. 'Q ^fli/' . . . 



Epad8€ Tov ncKrrjs dpeTrjs tTTi 238. 'Ei>6d8( rfjv Trdcrrjs dperrjs tVl reppa 



Tf'ppa poXovra, pLoXnixrav. 



Evx^eo TipMuuKTi . . . 158. Ev^fd rot, baponri . . . 



enfl arparov &)X«ae MijScoi/. 156. iirel (TTparos wXero MrjScov. 



Botcorwi/ KXeifols dfTjaKopLeu iv 259. Kflrai 8' iu KXeiuols QfrraXiKois 



SaTreSoiy. TrtSt'otr. 



eOavov KXeLvals iv 'AOfjvms. K 90 (S IV). i<«[i]/Lin[i] KXdvais iv'Adrj- 



vais. 

 fjvio^os Te)(vr]s rpayiKris. 323. Kiddpai hc^iov t]vi6)(OV. 



TtaXaKTp.ocrvvas 8e^i6v fjvioxpv. 



ov andvii eWt Tvxeiv. K 52 (S IV). oii (rndvis dv8pl Tvxflf. 



KOI (f)d6vov ov (jiepfTai. 302. <u (pdovos ov^ eTrernt. 



Cf. 103 and 104 (see p. 26) ; 81 and 109 ; and see Table III. 



The facts, then, which are clear from this investigation are briefly as 

 follows : 



The epigrams of the sixth century are characterized by a severe sim- 

 plicity, which, however, cannot quite conceal the personal tone. Simple 

 devices are usually employed to fill out the metre, though occasionally 

 we find traces of more elaborate poetic treatment. In this century 

 nothing except the name of the artist or stonecutter is inscribed on the 

 stone ea^tra metrum, and the verses themselves, with the exception of 

 those meant for honorary statues, must indicate that they are inscrip- 

 tions. We find no purely imitative inscriptions, but epigrams of satire 

 or lament have already made their appearance. The chief influence 

 from other literature is from the epic. 



