184 



REPORT OF NATIONAL MUSEUM, 1880. 



The London Madonna, Perugino. 



The Coronation of the Virgin, Botticelli. 



Portrait, Francia. 



The Nativity, Memling. 



Christ preachingto the Apostles, Leonardo 

 da Vinci. 



A portrait, Leonardo da Vinci. 



Virgin and Child, Alhertinelli. 



The Erythrean Sibyl, Michael Angelo. 



Tbe Delphic Sibyl, Michael Angelo. 



The Prophet Jeremiah, Michael Angelo. 



The Prophet Zacharias, Michael Angelo. 



Four Frescoes from the Sistine Chapel, 

 Michael Angelo. 



The Manchester Madonna, Michael An- 

 gelo. 



Entombment of Christ, Titian. 



The Virgin with a Rabbit, Titian. 



St. Sebastian, Sodoma-Bazzi. 



The Sistine Madonna, Raphael. 



Madonna della Sedia, Raphael. 



The Miraculous Draught of Fishes, Raph- 

 ael. 



Dispute Concerning the Sacrament, Raph- 

 ael. 



La belle Jardiniere, Raphael. 



Holy Family, with Catharine, Elizabeth, 

 and the Infant Jesus, Andrea del Sarto. 



The Madonna of St. Francis, Andrea del 

 Sarto. 



Innocence, Romano. 



Ecce Homo, Correggio. 



Die heilige Nacht, Correggio. 



Picture from the Exposition du Palais 

 Bourbon, Palm a. 



Descent from the Cross, Carracci. 



Nude figure seated, Carracci. 



The Annunciation, Guiilo Reni. 



Deianira and Nessus, Guido Reni. 



The Little Princess, Moreelse. 



Descent fiom the Cross, Rubens. 



Henri IV installing Marie de .Medici as 

 Regent, Rubens. 



The Triumph of Youth, Rubens. 



The Rape of Antiopa, Rubens. 



Fish Woman, Hals. 



Saint Cecelia, Domenichino. 



Victorious Love, Domenichino. 



Theseus finding his father's sword, Pous- 

 sin. 



Madonna, Van Dyck. 



Portrait, Van Dyck. 



The Good Shepherd, Champaigns. 



The Three Ages of Man, Sassoferrato. 



The Abbess, Rembrandt. 



Portrait of Himself, Rembrandt. 



The Temptation of St. Anthony, Teniers. 



Village Festival, Teniers. 



Old Woman at a Window, Gerard Dow. 



Winter Scene in Holland, Van Ostade. 



War, Salvator Rosa. 



Christ appearing before Mary Magdalene, 



Le Sueur. 

 The Field, Potter. 

 Group of Sheep, Potter. 

 Cows and Sheep, Potter. 

 Wandering Musician, Jan Steen. 

 Study from Nature, Metzu. 

 A Dead Calm, Van de Velde. 

 Marine View, Van de Velde. 

 Louis XIV, Rigaud. 

 "Gilles" or "Pierrot," Watteau. 

 The Chocolate Girl, Liotard. 

 Pastoral Subject, Boucher. 

 The Village Groom, Greuze. 

 A Portrait, Greuze. 

 Portrait of M. Rabnti, Greuze. 

 Picture from the Mus6e du Louvre,Greuzr. 

 The Horatii, David. 

 Madame Recamier, David. 

 The Marquise d'Orvilliers, David. 

 Portrait of the Artist and her Daughter, 



Vigee Le Brim. 

 The Burial of Attala, Girodet. 

 Daphnis and Chloe, Gerard. 

 (Edipus and the Sphinx, Ingres. 

 Joan of Arc, Ingres. 

 Arab Hunter, Vernet. 

 The Wreck of the Medusa, Gericault. 

 Willows at Marseilles, near Beauvais, 



Corot. 

 The Princes in the 'lower, Paul Dela- 



roche. 

 The Forest at Fontainebleau, Sunset, 



Rousseau. 

 The Shore at Autibes, Meissonier. 

 Napoleon, Meissonier. 

 A Shepherd, Millet. 

 The Reaper's Repast, Bida. 

 The Return of the Gleaners, Breton, 

 Tobit and the Angel, Dore. 



The composition of the human body, its daily income and expend- 

 iture, and casts, in plaster, of the articles of food ordinarily used as a 

 day's rations, were shown, as well as specimens of the different eliemi- 



