46 “GREEN DALE CABINET.” 
In the panels which I have numbered 5, 6, 7, and 8, are the 
subject, thus again four times repeated, of Vertue’s fifth plate of 
etchings—the one in which the carriage, drawn by six horses, is 
being driven through the tree, as engraved on page 43—similarly 
painted and inlaid; the driver and the postilion on the first horse 
being habited in red coats and cocked hats. Above each of 
these, at C, are the words “Una emus,” and beneath each, at D, 
** The Green-Dale Oke near Welbeck, 1727.” 
On the two of the panels of the lower pair of doors, upon 
which I have placed the numbers 9 and 12, occur the side view 
of the tree denuded of its top branches, as in Vertue’s second 
plate, engraved on page 39 av/e, with, at E and K, the quotation 
from Ovid, already given, and at F and L, the words “ Zhe 
Green-Dale Oke near Welbeck, 1727.” On each of the other two 
panels, which I have numbered ro and 11, are Vertue’s fourth 
subject—the one in which a man is represented riding from the 
spectator, through the arched opening in the tree stem, engraved 
on page 41 ante. Above each of these two, at G and I, is the 
quotation from Chaucer already given, and beneath each, at H 
and J, the usual words, ‘‘ Zhe Green-Dale Oke near Welbeck, 
ye foes 
The end of the Cabinet to the left has in its upper panel, 
which I have numbered 13, the same view of the tree, and the 
same lettering as already described on the panels 5, 6, 7, and 8 of 
the upper doors (engraved, page 43 az/e) ; the middle panel, 14, the 
same as panels 1, 2, 3, and 4 of the doors (engraved on page 4o 
ante) ; and the lower panel, which I have numbered 15, bears the 
ground plan of that part of Welbeck Park where the Green Dale 
Oak stands, which forms the first of Vertue’s series of etched 
plates, as already described and engraved on page 38 ave. 
The opposite end of the cabinet, that to the right, is similarly 
divided into three panels in height, and bears, in like manner, in 
its upper panel, which I have numbered 16, the same view, with 
the horseman riding through the tree towards the spectators, as 
occurs on the panels 1, 2, 3, and 4 of the upper doors; the middle 
panel, 17, the same (the one with coach and six horses) as on panels 
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