142 New NOTATION of MUSIC. 
Refts will be very well expreffled by the foregoing re= 
f{pedtive marks of time-fet alone, or not immediately pre-= 
ceded by a note. 
A fingle bar may be intelligibly expreffed by the m dath 
fet fide-wife accrofs the line. | 
A double bar by what printers call a parallel. } 
A repeat bya parallel, or thedetter S, placed between 
‘two colons. :}: ::S: 
All the common marks of graces in mufic may be very 
well expreffed, or imitated, by the common printing 
types: thus a fri//, by-tr, fet above the note; a deat, by the 
afterifk +, and a turn, by the letter S turned fide-wife nm, 
and fet above their refpective notes; a flur, by inclofing 
the flured notes in a parenthefis (_) ffaccato-notes by a peri- 
od or hyphen fide-wife, fet over, or under fuch- notes ; a pau/e, 
by a parenthefis and period together, fet fide-wife, over the 
mote ~> diminutives, or notes of 'tranfition, as they are not 
-counted in the time of the bar, will be very naturally ex- 
preffed by enclofing fuch notes in a parathefis. [ ] 
When three notes are reduced to the time of two, or 
fix to the time of four, the figure 3 or 6 may be refpece 
tively fet above fuch notes, as in the Common notation. 
All terms of execution orexpreffion as, adagio, andante, 
piano forte, &c. and figures marking the chords in tho- 
rough bafs, may be alfo expreffed as in the common no- 
tation. 
