60 * ART GALLERY. 
“On the way to Bessemer ;” ““ Among the Skyscrapers, New York; ” 
“New York from Brooklyn Bridge;” ‘‘ Coal—the abomination of 
Works;” “Coal Wharves, Staten Island;” ‘Courtland Street 
Ferry,” (aquatint); “The Bridges, New York;” “ Palisades and 
3 
palaces, New York;” “ West Street Building, from Singer Building, 
New York;” “The mining village;” “ Pittsburg—No. 3;” 
“ Main Street, Mahoney City;” “‘ The Coal Breaker.” 
‘“ Hampton Court Gates,” by A. R. Barker; “The Mountain 
Smithy,” by F. V. Burridge; “Spring,” by Ethel Stewart; “St. 
Serfs, Dysart,” by R. W. Stewart; ‘“ Hey! Ho! the Wind and the 
Rain,” by Martin Hardie, A.R.E.; “ L’ecluse du Nouveau Canal, 
a Troyes,” by C. Leheutre; ‘ Quartier du Combat,” by Edgar 
Chahine; ‘‘ L’arrivée au Moulin,” by A. Lepére; ‘‘ Banks of the 
Seine,” by D. I. Smart; ‘“ Gallery of the Middlesex Music Hall,” 
by W. Sickert; “ The Arun at Littlehampton,” by E. W. Charlton; 
“The Garden Door,” by Francis Dodd; “ The Black Bow,” by 
Ethel Gabain; “ A Carpenter’s House in South India,” by Constance 
G. Copeman; “The Avon below Bristol,” by Colonel R. Goff. 
LirHoGRAPHS — 
‘Le géant,’’ ‘“‘ Les joueurs de bonehor,’’ ‘‘ La petite guin- 
guette,’’ by Jean Veber; ‘‘ Ganymede,’’ by Percy Bulcock; ‘‘ The 
Modeller,” by C. H. Shannon. 
Woop Encravinc— 
“A wet morning at Segovia Market,” by Sydney Lee, A.R.E. 
KerramMics— 
A vase with Swan Handles, by Josiah Wedgwood & Sons, Ltd. 
An example of Ruskin Pottery, by W. Howson Taylor. 
Three examples of Doulton Ware, by Doulton & Co., Ltd. 
9.—By Purchase :— 
“Joan of Arc” (oil), and “The Gleaner” (oil), by William 
Daniels. 
“Tantallon Castle” (oil), by the Rev. John Thomson, H.R.S.A. 
