18 
TRANSACTIONS OF THE [Nov. 5, 
private collectors abroad and at home; and to the large collection 
of chemical, electrical, and philosophical apparatus presented 
by his descendants to the Smithsonian Institution. 
The portraits described were the following; those marked by 
an asterisk were exhibited: 
. The Leeds portrait, about 1763. 
. Photo. of the same. 
. The Vaughan portrait in Cambridge, Mass. 
. Photo. of the same. 
. The Opie portrait in London. 
. Photo. of the same. 
. Caldwell’s engraving of the same (1801). 
. Hazlitt’s portrait (1788). 
. Nutter’s engraving of the same (1'789). 
. Artand’s portrait (1793). 
. Holloway’s engraving of the same. 
. Engraving after Artand in Javater. 
. The Fuseli portrait (1783) in London. 
. Turner’s engraving of the same. 
. Wentworth’s engraving after Fuseli. 
. Photo. of the Fuseli portrait. 
. Millar’s portrait (1789) in London. 
. Holland’s portrait. 
. The Stuart portrait (1794?). 
20-22. Three large copies of the same. 
23-26. Four small copies of the same. 
7 
. Holl’s engraving after Stuart (1833). 
. Engraving in Biographical Magazine (1794). 
. Cook’s engraving after Stuart. 
. Copy of the above publ. in New York (1874). 
. Engraving with Blair and others. 
. Engraving with a light green oval. 
. Copy of 28 in Smiles’, Boulton & Watt. 
. The Mansell portrait (artist unknown). 
. Peale’s portrait in N. Y. Historical Society. 
. Photo. of the same. 
. The Wistar portrait in Philadelphia. 
. Photo. of the same. 
. The Button portrait in Philadelphia. 
. Photo. of the same. 
. Reich’s vignette after the Button portrait. 
. The Sharples portrait. 
. Autotype of the same. 
Partridge’s engraving after Stuart. 
g g g 
Mrs. Sharples’ portrait in pastels. 
