24:20 



ARBORETUM AND FRUTICETUM. 



PART IIJ. 



tree, it is probably incorrect ; if otherwise, it must have been upwards of 20 

 years older than those at Chelsea. 



Mr. Thompson, an artist, writing in the Gardener's Magaziiie on the effect 

 of the cedar in landscape scenery, observes that " there is something even 

 architectural in the form of the cedar; the thick upright stem, and the hori- 

 zontal branches which it supports, in a great measure accord with the pillars 

 and copings of buildings. This may be seen by reference to the inspired 

 pictures of Martin, when Assyrian history has been the subject of his pencil. 

 He has realised all that the most vivid imagination could conceive of Eastern 

 splendour ; and the famous hanging gardens have not been forgotten. In 

 them the cedar is the most prominent tree, which he has shown mixed with 

 cypresses and a few low shrubs and flowers, forming a mass simple but grand, 

 and quite in unison with the architectural character of the scene. The accom- 

 panying sketch {Jig. 2275.) is from an etching of the destruction of Babylon, 

 and represents part of the hanging gardens. Thus it may be inferred that 



cedars should always be the accompaniment of palaces, public buildings, and 

 superior residences. The finest cedars I have seen are at Blenheim ; but 

 even there they are not nuich contrasted with the architecture, but are spread 

 generally tluougliout the whole of the gardens ; and they appeared to me in a 

 great measure lost, from being so mixed up with other trees and shrubs: 

 however, they serve to maintain the character of grandeur which belongs to 

 the place. On the banks of the great lake, where the present duke, since he 

 left White Knights, has formed his new flower-garden, extending from the 

 house to the cascade, there are some very fine cedars ; and it is curious to 

 observe how well they accord with the simplicity of garden scenery: but this 

 may be accounted for by their being supported by other large trees, from 

 the cxtensivcness of the gardens, and from every thing around them being on 

 so grand a scale. There are some garden scenes in which cedars would be 

 found not only misplaced, but out of character, and injurious : as, for example, 

 in the grounds of a small modern villa, they would be quite at variance with 

 our ideas and associations as to what should attach to such a place. The 

 accom[)anying sketch {fig. 2276.), though it forms a tolerable picture, will, I 

 trust, illustrate what I have been stating. The villa is rendered insignificant by 

 the stately [)rcsence of the cedars; and the cedars seem to have been there before 

 the villa was l)uilt, as if they came by accident, and were foreign to the scene. 

 In the next sketch (7?^,'. 2277.), where I have HU[)i)Iied their place with a few 

 pendent and a[)propriate trees, the picture produced seems more consistent, 

 more complete, and in better keeping. The form and character of the cedar 

 are not suited to anything on a small scale, or that i)etrays want of effect in its 

 architectural features, or in the disposition of the ground : thus, one would not 

 place them in the centre of a home meadow or arable field, where oaks and 

 ehns are sometimes met with having a very good effect ; nor should they 

 ever ajjpear where the scenery is either don)cstic, homely, or tame. Nothing 

 is more offensive, than to find a cedar, a cypress, or other stately tree, con- 



