ARCHIBALD CONSTABLE & CO.'S 



English Metal Work. A Collection of 93 Draw- 

 ings made in the early nineteenth century by 

 William Twopeny and preserved in the British 

 Museum. With an Introduction by Laurence 

 BiNYON, and descriptive text by Lawrence 

 Weaver, F.S.A. Imperial 8vo. 15s. net. 



" This beautifully presented volume." — Bookseller. 



Contemporary France, 1 870^1900, by Gabriel 

 Hanotaux. Translated by ]. C. Tarver, M.A., 

 and Illustrated with Portraits. In 4 volumes. 

 Vol. I. (1870-1873), 15s. net; Vol. 11. 15s. net 

 (in the Press). 



The first volume is chiefly concerned with the Franco- 

 Prussian War, and with the Rise and fall of M. Thiers. 



" M. Hanotaux's Coniemporory France is likely to be the stan- 

 dard work on French history of thirty years ago ... we are 

 grateful to Mr. Tarver for putting so important a book in the hands 

 of English readers." — Monthly Review. 



The Paston Letters^ edited by James Gairdner, 

 LL.D., Author of a Life of Richard III., etc. 

 In 4 volumes. Vol. I., Henry VI., 1422-1461; 

 Vol. II., Edward IV., 1461-1471 ; Vol. III., 

 1471-1509; Vol. IV., Introductory and Supple- 

 mentary. A Photogravure Frontispiece to each 

 volume. Crown 8vo. 21s. net. the set. Vol. 

 IV. sold separately, los. 6d. net. 



Every letter is exhaustively annotated. A Chronological 

 Table, and most copious Indices conclude the work. 



" The Paston Letters are an important testimony to the pro- 

 gressive condition of Society, and come in as a precious link in the 

 chain of moral history of England, which they alone in this period 

 supply. They stand, indeed, singly, as far as I know, in Europe ; 

 for though it is highly probable that in the archives of Italian 

 families, if not in France or Germany, a series of merely private 

 letters equally ancient may be concealed ; I do not recollect that 

 any have been published. They are all written in the reigns of 

 Henry VI. and Edward IV., except a few that extend as far as 

 Henry VII., by different members of a wealthy and respectable, but 

 not noble, family ; and are therefore pictures of the life of the 

 English gentry of that age." — Henry Hallam, Introduction to the 

 Literature of Europe, i. 228, Ed. 1837. 



