il Elbert N. S. Thompson 
Devil, the, on the stage, 395—97, 
401—402. 
Dialogue: see Debate. 
Disobedient Child, The, 382. 
Echecs Amoureux, Les, 379. 
Endightment against Mother Messe, The, 
366. 
Enterlude of John Lon & Mast Person, 
The, 369. 
Ephraem, the Syrian, 321. 
Everyman, 341, 852—53, 390. 
Exempla, 299~804. 
Farces, Influence on moral plays, 
388-89. See Heywood. 
Freedom of the will, 317—18. 
Freewill, 369. 
Fulwel, 388. 
Gammer Gurton’s Needle, 401. 
Gascoigne, 384. 
Glasse of Gouernement, 384—86. 
Glossa Ordinaria, 334. 
Gnapheus, 380. 
Goad’s Promises, 369. 
Godly Queen Hester, 371. 
Golden Legend, The, 367. 
Greban, 356. 
Gregory, the Great, 295, 296, 297, 
300, 301, 530, 
Grosseteste, 296, 335, 341, 356. 
Hamartigenia, 322, 329, 330. 
Heywood, 345—46, 389. 
Hickscorner, 382, 388. 
Homilaria, 296—99. 
Honneur des Dames, 332, 359. 
Honorius of Autun, 296, 297, 298, 
305, 377. 
Hugo of Saint Victor, 310, 330, 331, 
334, 355. 
Humanism: see Renaissance. 
Humbert de Romanis, 298, 299. 
Huon de Méri, 326. 
Ingeland, 381. 
Jack Juggler, 384, 399. 

Jacques de Vitry, 298, 299, 300, 301, | 
305; 313: 
Jonson, 401—402. 
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King Cambyses, 400, 401. 
King Darius, 346. 
King John, 362—64, 367. 
Kirchmayer, 366, 367, 374. 
Lactantius, 321. 
Legal regulation of moral plays, 
364, 373-75. 
Liberality and Prodigality, 332, 383, 
395, 397. 
Life and Death of Mary Magdalene, 
388. 
Like Will to Like, 346, 388, 394. 
Lindsay, 370. 
Longer Thou Livest, The, 398. 
Lord Governaunce, 373. 
Lord’s Prayer, the, as interpreted 
in the Middle Ages, 334; as con- 
nected thereby with the Psycho- 
machia, 334; the Pater Noster 
plays, 334-38. 
Ludus de Antichristo, 350—51. 
Lupton, 387. 
Lusty Juventus, 369, 382. 
Lydgate, 327, 328, 336, 379. 
Macropedius, 380. 
Magnificence, 355, 341, 346, 360, 362, 
383. 
Mankind, 358, 387, 391—92. 
Marguet Convertie, 345. 
Marriage of Wit and Science, The, 309. 
Martianus Capella, 380. 
Mary Magdalene, 331, 384. 
Medwell, 332, 379. 
Menaechmi, 383. 
Merry Knack to Know a Knave, A, 
399. 
Misogonus, 382-83. 
Moral plays, analogues in medieval 
sermons, 304-12; sources: the 
Psychomachia, 293, 320-33, the 
legend of Antichrist, 346-51, the 
Dance of Death, 317, 341, 351—54, 
the allegory of Psalms, 85. 10, 318, 
354-58 ; as a means of theological 
instruction, 333-41 ; as connected 
with the Reformation, 359-75; 
