FIELD SPARROW. 
and in still another he proceeds on the diatonic instead of 
the chromatic scale, thus: 
Tranquillo. Accel. et cres. 
' Aceel. et€ cres. 
(3). 2 aa SS 
7. ey ly Ay By 
y MAGA. YY YW 
@ 74) V7 GE 
MSI Sa wie Ua 
This is reminiseent of 
h,che a me perdony.” in MTartha. 
and reminds us of the opening notes of the chorus in 
Martha, beginning, 
i} g rghetto. 7s — ‘ 
Nor is this all the Field Sparrow cando. He frequently 
gives us a perfect example of what the music teacher 
would call the acciaccatura,* a succession of grace 
notes, thus: 
d =104 . 
6 Tranquillo. Aecel. et cres.. 
Cy KK 
Ye a a er WW XW Wo 
UA? al el ae we Pe PsOue- TT TT Tt 
Eo i a 
* Pronounced at-tchack-a-too-ra. 
105 
