AND BYZANTINE GREEK. 51 



Trochaic. 



"AvSpa TbOwvov (TTrapaTTcov koI rapuTTcov koI kvkwv. Arist. Ach. 682. 



Tol'i ajpoLKoicrt.v iravovp'yw'i (oare (patvecrdai 'Ka')(v. Eq. 317. 



Td^ecov aTraXXayei/Tes ical kukcov ^oivtKiKwv. Pac. 303. 



'AX)C dicovaavTe<; tolovtov ^(aipofiev K7]pvyfiaT0<;. Ibid. 311. 



' E^e<l)V(jria-ev rocrovTov iroXefiov, oycTTe tw KanvM. Ibid. 611. 



Taina toivvv, fia tov AttoWo), jeo ire-Ttva-jMriv ovhev6<;. Ibid. 616. 



Ti]vZe fikv SiKpoli eu)dow Trjv 6eov Krjpvyfiaa-iv. Ibid. 638. 



Iambic. 



'ETrel (TV Bi,a to crco(j>pov€iv tSi -rranroT elSe? V^V ! Nub. 1061. 

 XojxaTarov. So(f)a)TaTov j SKeivov ; w rl a etTrw ; Ibid. 1378. 

 Uws yap TO fjkv <JQV a-wfia ■^^pi] irXijym aOwov etvat, ; Ibid. 1413. 

 ^AXS! ovhafiov vo/J^i^erai, tov TraTepa tovto iraa')(f.iv. Ibid. 1420. 

 Tovi evpvTvpwKTov; • tovtovl Ibid. 1099. 

 yovv 010 eyo}, KUKeivovi, 



Kal TOV K0fJ,r)T7]V TOVTOVl. 



Ti BrjT epei? ; 



'HTT7]fie9 , w Kivovfievoi. 



^povpovvT eycc re Kat, av • KUTa "TrepnraTovvTe vvKTap Vesp. 237. 



r?)? apTOTTwXiho'; \adovT e/cXe-v^a/aey tov bXfiov. 



Mrj-Tj-Q) Xadwv Tt? efiTToBcov rjfia'; KaKov Tt Bpucrrj. Ibid. 247. 



Kav /MT] KoKovvTcav Tovi fxaj^Xovi j(a\a>a-iv al <yvvalKe<i. Lys. 310. 



Ev TT) (Topu) vvvi ~Kaj(ov to jpafMfia aov ScKa^etv. Plut. 277. 



/2? ijSofiai, Kai, TepirofiM koI ^ovKofxai ')(ppevaai. Ibid. 288. 



Mt,/j,ovp,evo<; Kai ttjv iroBolv u>Bl irapeva-aXevcov. Ibid. 291. 



BXt^-^w^ievoi ae tovtovI TrivaiVTa KaToXa^ovTet;. Ibid. 297. 



On the other hand, the accentual rhythm is sometimes the reverse of the quanti- 

 tative; that is, the Avord-accent coincides with the thesis of the foot. We give the 

 following examples : 



Quantitative Trochaics, but Accentual Iambics. 



'fi ^adv^mvwv avacraa JJepcriBcov virepTaTrj, Aesch. Pers. 157. 



M-rjTep 1] aep^ov yepaia, %af/36 Aapeiov yvvat. 



@£ov fJiev evvuTeipa Ueparav, 0eov Se koI fJLrfTjp e^u?. 



