66 



A GLOSSARY OF LATER 



"On Xpiaro^ eyrjiyeprai fir] ti? ZiaTnareiTto • 

 'E(j)dv'r] Trj Mapia yap, STreira Kadaypadrj 

 Tot,'; et? aypov airiovcri, nvcxTai'i Se ttuXiv mcftdij 

 'AvaK€i,fj,€voi<; epBexa, oii? ^a-Trri^eiv eKvefiy^ai 

 EU ovpavov;, o0ev Kara^e^rjicev, uveKr]j>6r) 

 EiTiKvpiav TO KTipvyjia •7rXrj6ea'C tu>v (irjfieieop. 



The arrhythmy in the third and fifth lines arises from the trochees kcItw, d-ylov : 

 Td(ptu, opei: aTTi-ovai, odev. (See above, § 39.) 



In the work De Ceremoniis, the authorship of which is attributed to the same 

 emperor, we find the following accentual trochaic and iambic dimeters and tetrameters : 



Uvevfia TO -Travdyiov, PoRPH. Cer. 197. '/2? /mopo^ vTrepdyado^ ! 



Td^ avyovcrra'; crKeTracrop • "^ Os ei* Kapa to -Trporepop 



Kvpie, ^wrjp avrcov Ta> yd/i(p -rrapeyipeTO, 



Aid TTjP ^(orjp 7]/i,S)P. 15 Kai, ep ai/Tw evXoyrjae 



5 BaaiKev vedpvfi(j>e. To vBcop ws <J3t\ap6pa)'7ro<;, 



060? BiM(j>vXd^£i, ae ! Kai, oipop aireTeKeaev 



"EpTCfie ivdpere, Ap6pwiroi<i ets wiroKavGCP. 



Tpidt KaTaKO<yp.r]aei ere, Ovto^ evXoy-i^a-ei a-e 



Kai %apdp irapi^ei, aoi 20 MeTO, t^s crv^vyov aov, 



10 &eo^ 6 eTTOvpapic; Kai rcKpa aoi Bcop-^aerai 



EvXoywp TOP ydfiop aov, 0eo? ■Trop(pvpoyepv7jTa ! 



Ibid. 377. 



A^ici)'; erot. £V)(p/J,eda 

 eperoi, irayKoa/Mie, 

 "Or I, vireplSaXXovaav 

 "E'^eii KuXoOeXeiav, 

 5 Kai €V)(^di Ko/xi^ea-ai. 

 Ek tS)V ayaircoPTcov <re 

 '/2? yap ayaTT&fiev croi 



IBe TO eap to kuXov vaXiv eiravareXXei 

 ^epov vyieiav Kai xapdv km ttiv evTjfiepiap. 



IBe TO eap to yXvKV •jraXiv eirapaTeXXei 

 ^epop vyoeiap Koi ^(or]V Kai, Trjv evrjfiepiav, 

 'AvBpayadiap e/c 6eov Tot? ^atriXevat Pafiaicov, 

 Kai, piKTjv 6eoBeop7]TOv Kara reap TroXe/jLiwp. 



A^io)<; ae ev')(piie6a 

 Iva aBiaBo'Xp'i 

 10 Meipr}^ BiotKWP riiid';. 

 "E? / 



O apa<7Ta<; ^eo? rj/iaip, 

 ^vXaTTe TOP Brjfiap'^ov. 



Ibid. 366. 



Ibid. 367. 



