ETRURIA CAPTA., 197 
383. F - YEYI : CAINAL 382. L* YEYI ‘> SVSINAL 
age kunekuu Zerua karasa so Kunekuu Nopinou karasa 
age Kunekoi Zerua sortze so Kunekoi Nopinou sortze 
behold Kunekoi Zerua natus behold Kunekoi Nopinou natus 
153. EINVLNEI : VNAYASA 
ne uka pisa kanio pikarakura nare 
ene uga Pisa ganio Begarakura andre 
my mother Pisa it concerns, Begarakura’s wife 
, 
910; LO - LICSCA 2 SLO! hes 
asma Sauchino chira - asma Sauchino 
asma Sauchi no jarri asma Sauchi no 
indication Sauchi of to make indication Sauchi of 
286. OANA * SENYIN marakara none kakuuka 
EI - APYCESA nio Artukuchine nare 
marakara non gogoi ganio Artukuchine andre 
monument where memory in is regarded Artukuchine’s wife™ 
94. FELIA - YEYINEI aginza oar Kunekoi ganio 
aginza ura kunekuu kanio offering behold Kunekoi it concerns®! 
97. LADOI : FELNEI zarratu mai aginza kanio Arsakau eritza 
ALNIAL written table offering concerns Arsakau it honours®” 
112. YIYE - FESIM. Kuukune Aginno hume: Koiku to Aginno’s child 
96. L - CFENLE - CAVANAL (On the lid of an ossuarium) 
so chiginekasane chirapiba karasa 
so Chiginekasane Zerupiba sortze 
behold Chiginekasane Zerupiba natus 
79 Fabretti reads 210 LO - LRCS - CA, asma Satuchi no jarri. I am not aware how he reads 
211, which in Lanzi corresponds. The word jarvi, originally chiri or chert, which in the form 
jar now means attention, is evidently employed here as jario is in modern Basque. Van Eys 
(sub. jario) says: ‘‘Jario correspond 4 ‘faire’ dans la phrase suivante: kea dario, il fume. 
I] est curieux que eraunai qui est synonyme de jario soit employé en souletin pour ‘ faire’ dans 
toutes sortes d’acceptions.” Thus, asma jarri will mean, ‘‘to make indication.” 
80 Fabretti reads the last group in 286: 
AAICESA Arbaisen anre, the wife of Arbaizen. 
81 Also he reads the second group in 94: YENINEI Kunekai ganio. I read aginza oar, the 
latter being the shorter Etruscan form of the verb oartu, perceive, consider. It is here 
imperative. 
82 No. 97 Mr. VanderSmissen informs me is an inscription on a vase, which seems inconsistent 
with the use of the word mai, now meaning table. I have already indicated that maz in 
Etruscan must be taken to denote a space, on whatever surface, set apart for delineation, like 
the Japanese hi-mei. Its root is the Japanese ma, a space or interval of space. In Fabretti 
the final I of FELNEI is made like a Greek lambda. This is the Corean s and appears for s@ in 
Pictish. I do not know its Etruscan value. 
