* 1808,],_ 
Ro a 
‘REVIEW OF NEW MUSICAL PUBLICATIONS. 
—~ era 
inuar, Lady Heron’s Song, in. Marmion, a 
Haier ee ee Field, . Glesgesed adi deck: 
cated to Walter Scott, Esq. ty Fobm Clarke, 
“Bsqg. Mus. Doc.” 
_ OCHINVAR. is, composed: for two 
trebles and a bass; 1s. interspersed 
wath solos, and accom panied, with. a, part 
for the piano-forte. However high Dr 
Clarke’s abilities, may, rani in, our esti- 
niation, the merits, of the. present pra- 
*. 
duction, aye such as, towel) maintain, the, 
ofeir te have, giyen him, The imove- 
ents of this piece are conceived witha 
Beta yet elezant, simplicity, and 
the combinations, are scientific and mas- 
terly. One accidental lapse of his, pen 
the ingenious composer will, however, 
allow.usito notice: in- passing from the 
last.quaver of the firat. bar to. the first of 
the-sut:ceeding bar, are introduced two 
perfect fifths in thie same direction, 
Three Duetts Se a Violin and Vi ioloncello. Cow- 
posed and al 
Buys by F. G. C. Sebethy. 85. 
“Mr, Schetky has exhibited,in these dus 
etts a considerable portion of well-regu- 
Jated fancy, and mach of the real master. 
The powers and characters of the instru- 
jnents fog which he writes are properly 
eonsulted, and the two parts are judis 
ciously incorporated: © The style, though 
elegant, and. raised. above. the ordinary 
productions of.the day, is still-so far fa- 
yniliar as to come within the pale of gex 
neral. practice, and:to render the work 
highly useful to those who have made a 
_ tolerable progress in execution. 
Number Three of Masquerade Sonatas for the 
Piano-forte or Harp, with an Accompaniment , 
for the Flute or Violin, Composed and dedi- 
tated to Miss Pemberton, by’ ‘fames Hook, 
Esq. As. 
This sonata is wyitten on the same 
plan as the former two, and comprizes 
some well-chosen airs both as subjects 
and occasional digressions, The whole 
380 judiciously blended and interwoven, 
a8 to assume the form of a regularly con- 
pee Piece, and reflects much credit 
of Mr. Hook’s taste and ingenuity, 
s¢ Sul Margine d'un Rigy? a Duett for the Flute 
And Piana fate, 2 
Gentes acy, Ledeated $0 sbi, Friend 
ir. Minasi, by P Lansa 58: 
The, elegaves . of» style, {veedom.. of 
ancy, mppy: junction of the parts, 
inthis sonata, do great credit to. the com- 
Toexp » gongrally speak 
‘detlicated 10 Archibgld Borhevell, 
» Perforgned by Mrs, Ash: 
ing, rise ont of each other easily and na» 
turally, and the movements are so. judi- 
ciously contrasted asto. produce.that rex. 
lief which the cultivated eap, alycays. ex- 
pects im compositions, of length, aed by 
which it never fails to be gratitied. 
Sie, Sonatinas for the Piang-foxte,. Dedicatedt@n 
Miss De Gontauts, by We. Slapp. 5s. 
These. sonatas, ta which are intreduced: 
some popular and pleasing: airs, are writ. ’ 
tenin a style as familiar. as. agreeable; 
and we venture to say, that: they. will not’ 
fail to interest, the: lovers: ofi simple and 
unaffected. composition, Many. of tle. 
passages are marked. with novelty. Tha, 
whole of each movement exhibits, con- 
nected trajn. of; ideas,, and, the. general 
eifect bespeaks considerable genius. aided 
by successful study. 
A Third Divertimento for, the, Piang-for tes with 
an Accompaniment, for a, Flutes Violins and. 
Violoncello. Compssed and dedicated to, Miss 
Acbard, by Lonjs Von Esch;  tytq : 
Mr. Von. Esch_has, displayedssp much: 
ingenuity, and science, in, this, diverti-+ 
mento as. to.claim,our highestspraises Ab 
warm and-florid style pervades the:come 
. position; and, the, union of the, aceompar 
niments with the principals so masreriv.: 
in its management. aud. happy in its e 
¥. 4 ~ . w 
fect as to mark the superior powers of the 
author, © The, part agsigued, ta"each in- 
strument is so appropriate, and the com- 
bination is so full and perfect, that the 
piece almost assumes the dignity, of a— 
quartett, > 
L\ Aagurio. Felice, a Sonata for the: Piano-force. 
Composed and dedicated1a. Miss Dering, by 
P, Anthony Corris As. j 
We have perused this sonata with 
much pleasure. Mach freedom and bold- 
ness of tancy, aided by wellstudied ar~ 
rafigement’ and- scientific. modulation, 
serve to distinguish the, work. and’ raise 
Mr. P. A. Corri far above mediocrity as. 
a piano-forte corhposer, Students sul- 
ficiently advanced for the praetice of 
this piece will find it a highty pleasing as. 
‘well as a greatly improving exercise.“ ” 
‘ Sonata for the, Pians,forte. Composed and,dedi» 
cated to Miss Bain, and Miss Eliz. Aldersony. 
by T, Haigh,, 2s. 6d. 
This. sonata. consists of three move- 
ments; an andante introduction, a po- 
lonoise, and*'a rondo.: ‘The subject of: 
the polonoise is’ prettily imagined, and - 
the. ronda- ig lively: and" striking. The 
yO) i passages 
