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149 
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MONTHLY RETROSPECT OF THE FINE ARTS. ° 
The Use of all New Prints, and Communications cating Arti 
THILE innumerable es of 
ancient art have jettageaege 
lated in France by the great -plunderer 
of the territory, the wealth and the | 
ty of nations, England, if not Ww 
tful, he ppeared i in general very. 
> solici to enrich he a the 
pursuit of merely ornamental aequisiti 
And, in truth, if they can be ob ain 
such’ means only as have been emp byed 
“ by our rival, 
main of, 
Ami 
* 
m the better. Fis 
to the English admirer of dipinse 
nd so great a treasure as the Elgin 
ction safely deposited in our own. 
reflect with pleasure, that, instead of 
@ gratification procured by ensed 
system of public extortion and plunder, 
the mansion .of this nobleman has been 
enriched, it is to be hoped, by the fairest 
44 means, and the most friendly DPEpe ieee 
; guts 
telligence, are requeg ole 
services Ren sere) by our ‘comb to 
oF Bho servi in which his lordship was resi- 
dent in the character of a public minis- 
ter, are said to have facilitated the pro- 
ject of transporting the treasures of 
Athens to London, A detail of the , 
measures by which the removal of masses 
of the most refined art (at once so value 
able and so weighty) was obtained, would 
» not be without considerable i interest. 
the more destitute we re- Some account of the original situation 
me these works of sculpture having been 
iven in the Monthly Magazine,* 
is hoasted superiority of t 
‘various museums and cabinets of ee y requisite z at present to consider 
French capital, it is no small comp aheir merits in point of art. | 
~. There can be no fear r of exaggeration 
in asserting that the various fragments 
(for there is scarcely a figure ina perfect 
state) which compose this collection, 
present one of the finest assemblages of 
ments of ancient sculpture, ungues- 
today, in England, and perhaps in the 
* Sec a letter signed G, Cumberland. 
world, 
