2>«i S. VI. 14.8., Oct. 30. '58.] 



NOTES AND QUERIES. 



353 



Was there any connexion by marriage between 

 the De Veres and the Wakes ? 



How were the De Veres of Thrapston con- 

 nected, 



a. With the Earls of Oxford ? 



b. With the De Veres of Great Addington ? 



The father of the first Hugh Wake was Geof- 

 frey Wac, a Norman Baron, probably of Flemish 

 extraction. Does the History of the Wnke Family, 

 mentioned by Mr. Chadwick(p. 275), contain any 

 account of this Geoffrey, and of his possessions in 

 Normandy ? Meletes. 



SiLVERSTONE asks Certain definite questions at 

 p. 232., to none of which do the notes from 

 Blomefield at p. 273. offer any reply. Nor from 

 the History of the Wake Family, to which Mr. 

 Chadwick alludes, will Silverstone " learn 

 what he desires;" if the work referred to be, as 

 I presume, the Brief Enquiry into the Antiquity, 

 Honour, and Estate of the Name and Family of 

 Wake, written by Abp. Wake for tlie use of his 

 son, and printed at Warminster in 1833, by his 

 great-grand-daughter, Etheldred Benett. But I 

 write this to say, that if the perusal of this small 

 volume would afford any gratification, either to 

 Silverstone or to Mr. Charwick, I shall be 

 happy to lend it, if they think it worth their while 

 to procure my address from the publishers of " N. 

 & Q.," and to apply to me for the loan of the same. 



Ache. 



Herewald Wake is a son of the present baronet, 

 Sir Charles Wake, of Courteenhall, Northampton- 

 shire, whose family is traced back to Hereward 

 or Herewald le Wake, who lived iu the time of 

 Edward the Confessor. 



My Query in respect to this family, at p. 232., 

 is still open for reply, as neither the extracts from 

 the History of Norfolk, nor the books referred to 

 as sources of information, furnish the particulars 

 required. Silverstone. 



• BOOKSELLERS SIGNS. 



(2-' S. V. 130. 346. 4G6.) 



To the former lists may be added the follow- 

 ing:— 



"The Black Horse," Aldersgate Street, Thomas Este, 

 1588—1605. 



"The Star " on Bread Street Hill, Peter Short, 1597. 



"The White Lion" in Paule's Churchyard, Thomas 

 Adams, IG03— IGIO. 



" The Cross Keyes," Paul's Wharf, John Windet, 1604 

 — ICO.'J. 



" The Golden Anchor," Pater-Noster Row, John Win- 

 det, ICOfi. 



" Tlio Bishop's Head," St. Paul's Churchyard, Matthew 

 Lowncs, IGIO— 1G24. 



The same, Ilurntrey Lownea, 1027. 



"The Golden Anchor," over against St. Dunstan's 

 Church in Fleet Street, Ambrose Isted, 1072. 



"The Crown" in Fleet Street, betwixt the two Temple 

 Gates, William and John Leake, 1076. 



" The Unicorn " at the West end of St. Paul's, Abel 

 Swall, 1G79. 



" The Judge's Head " in Chancery Lane, near Fleet 

 Street, Jacob Tonson, 1679—1690. 



" The Three Roses " in Ludgate Street, Jonathan Ed- 

 win, 1679. 



" The King's Head " at the West end of St. Paul's, 

 Samuel Carr, 1680. 



"The Angel" in St. Paul's Churchyard, Moses Pitt, 

 1685. 



" The Blew Anchor " in the Lower Walk of the New 

 Exchange, Joseph Knight and F. Saunders, 1685. 



" The Rose and Crown '' in St. Paul's Churchyard, 

 Richard Chiswell, 1689— 1695. 



" The Sun " over against St. Dunstan's Church in Fleet 

 Street, William Rogers, 1689—1706. 



" The Phoenix " in St. Paul's Churchyard, Henry Mort- 

 lock, 1691—1698. 



'• The Ship " in St. Paul's Churchyard, John Taylor, 

 1692. 



"The Black Lyon" in Fleet Street, between the two 

 Temple Gates, Richard Baldwin, 1692—1693. 



" The Unicom " under the Royal Exchange, Richard 

 Parker, 1G92— 1693. 



" The Mitre " near Temple Bar in Fleet Street, Abel 

 Roper, 1692-1694. 



"The Golden Key" against the Meuse near Charing 

 Cross, Thomas Chapman, 1692. 



" The Angel " in the Pall Mall, over against St. James's 

 Square, Thomas Chapman, 1696—1713. 



" The Star," the corner of Bride Lane in Fleet Street, 

 Henry Rhodes, 1694. 



" The Green Dragon " without Temple Bar, William 

 Crooke, 1694. 



"The George" in Fleet Street, near St. Dunstan's 

 Church, Thomas Basset, 3694. 



"The Red Lyon" in St. Paul's Churchyard, Henry 

 Bonwick, 1694. 



" The Swan " in St. Paul's Churchyard, William Keble- 

 white, 1694. 



"The Star" in Ludgate Street, John Everingham, 

 1694. 



" The Peacock " in the Poultry, W. Chandler, 1694. 



" The Black Bull " near the R'oj'al Exchange in Corn- 

 hill, S. Manship, 1694. 



" The Judge's Head " near the Inner Temple Gate in 

 Fleet Street, Jacob Tonson, 1695— 1G97. 



" The Bishop's Head " in St. Paul's Churchyard, Wal- 

 ter Kettilby, 1695—1704. 



" The Half Moon " in St. Paul's Churchyard, Thomas 

 Bennet, 1696—1705. 



" The Three Legs " in the Poultrey, against the Stocks- 

 Market, H. Walwyn, 1698. 



" The Lute " in St. Paul's Churchyard, Richard Wel- 

 lington, 1698-1699. 



" The Red Lion " on London Bridge, R. Bettesworth, 

 1699. 



" The Black Boy " in Fleet Street, A. Roper, 1701. 



" The Angel " in the Poultrey, John Lawrence, 1702. 



"The Peacock " in St. Paul's Churchyard, Robert Cla- 

 vel, 1704. 



" The Three Daggers " near the Inner Temple Gate in 

 Fleet Street, M. Wotton, 1704. 



"The Black Bull" over against the Royal Exchange m 

 Cornhill, William Davis, 1705. 



"The Cross Keys" between the two Temple Gates, 

 Bernard Lintot, 1709-1715. 



"Tlie Cross Keys and Bible" in Cornhill, A. Bell, 1711. 



"The Queeu's Arms" in Little Britain, J. Nicholson, 

 1711. 



