102 ANNUAL REPORT SMITHSONIAN INSTITUTION, 1958 
Design April 4, 1955, was assigned by the Academy to Columbus 
Gallery of Fine Arts, Columbus, Ohio. 
According to a provision in the Ranger bequest that paintings pur- 
chased by the Council of the National Academy of Design from the 
fund provided by the Henry Ward Ranger Bequest, and assigned 
to American art institutions, may be claimed during the 5-year period 
beginning 10 years after the death of the artist represented, the fol- 
lowing two paintings were recalled for action of the Smithsonian Art 
Commission at its meeting December 4, 1957. 
No. 70. Fifth Lake, by Edgar Payne (1881-1947), assigned to the James Lee 
Memorial Academy of Arts (now the Memphis Academy of Arts), Memphis, 
Tenn., in 1929, was accepted to become a permanent accession. 
No. 110. Heavy Sea, by Paul Dougherty, N.A., (1877-1947), assigned to the 
William Rockhill Nelson Gallery of Art, Kansas City, Mo., in 1933, was accepted 
to become a permanent accession. 
The following paintings, purchased by the Council of the Na- 
tional Academy of Design since the last report, have been assigned 
as follows: 
Title and Artist Assignment 
188. Midnight Procession, by Paul W. Museum of Fine Arts, Houston, Tex. 
Zimmerman (1921— ). 
189. Tranquil Dignity, by Robert Bid- Colorado Springs Fine Arts Center, 
ner (1980—_ ). Colorado Springs, Colo. 
190. Cadiz at Dusk, by Dean Ellis Colgate University, Hamilton, N. Y. 
(1922-  ). 
191. Self Portrait, by Gerald Mofchum University of Wisconsin, Madison, Wis. 
(1926—_). 
192. Houses Eastside (watercolor), by Oakland Art Museum, Oakland, Calif. 
Hd Graves (1917—__). 
193. Ebbtide (watercolor), by Lenard Baltimore Museum of Art, Baltimore, 
Kester (1917-— ). Md. 
194. Circus Friends (watercolor), by (Not yet assigned.) 
A. Henry Nordhausen (1901-_ ). 
195. That Lonesome Road (water- (Not yet assigned.) 
eolor), by Roy M. Mason 
(1886-—_ ). 
196. Foundation (watercolor), by Carl Penn State University, University Park, 
R. Kinscherf (1919-  ). Pa. 
197. Portrait of an Old Man, by Sidney Dallas Museum of Fine Arts, Dallas, 
EK. Dickinson (i890- ). Tex. 
198. Between Shifts (watercolor), by Berkshire Museum, Pittsfield, Mass. 
Peter Paul Dubaniewicz 
(1913-  ). 
199. Gay Head (watercolor), by Amy New Britain Institute Art Museum, 
Jones (1899- _ ). New Britain, Conn. 
200. Peace Memorial, Hiroshima (wa- Butler Institute of American Art, 
tercolor), 
(1905-_). 
by Mario Cooper 
Youngstown, Ohio. 
