18 PAPERS, ETC. 
fused together, according to the main principle of the 
Continuous style, the constructive limits of the arcade 
and the clerestory are not confused, and the horizontal 
line is allowed sufficient prominence to give due and 
marked supremacy to the vertical. This is the case at 
Martock, and in the transepts of St. Mary Redcliffe. But 
where the other arrangement is followed, as in the nave of 
the latter church, the pier arches look as if they had been 
violently cut through a panelled wall, and the lines of 
panelling rise most unconnectedly and unnaturally from 
the label of thearch. This is the case in St. Stephen’s 
and St. Andrew’s in Norwich, while the Martock type is 
found in the far nobler naves of Saffron Walden and of 
Great St. Mary’s in Cambridge. 
I will now proceed to mention some of the more im- 
portant individual examples.. After Wisbeach, I next 
saw Leverington. Here I had my first taste of a complete 
East-Anglian elevation, but the local style is by no means 
fully carried out, and it has some peculiarities of its own. 
The pier is a flattened lozenge, with four attached shafts, 
those belonging to the arches are of an awkward 
celustered shape, and those supporting the roofs are 
semi-oetagonal. These latter afford, with the label, an 
opportunity for interpenetration. The clerestory has 
merely a single very poor window in each bay, without so 
much as a string below it. I remember very distinetly 
that this church evoked from me the remark that it was 
not wonderful that the Cambridge Camden Society should 
so despise Perpendicular, if their ideas of it were drawn 
from buildings of this kind, instead of from Wrington 
and Martock. 
At Walpole St. Andrew I began to see something of 
the local style in its grandeur. The arcades here are 
N ...‘ 
