to what Extent, and how most readily attainable ?” 247 
Ath Psalm. 
SSeS Ss 
[ese 
EGSieES| 
But in their modified form, for execution by the Speaker, thus— 
prosodial characters (as I already noticed) being in each instance 
substituted for the musical ones, viz. 
For the Minim =* 
Crotchet — 
Quaver v 
God save the King. 
[The words of this air were sung.] 
pou?’ 6) ras —_—| = 
ddej%e de Jaf g [af 4 d | e Ge 
ts Wefan =e mt 
TD, crap en Agel ha ciel al ae CSiRMES in SRN Wale aS a is | is ely UNE ne a 
a faye agetjegu|eatelef eet e daf galbaeafesd | 
~~ ~— 
Hope, thou Nurset. 
[The letters of this air were substituted for the words, in conse- 
quence of the slurs which having been found too difficult were 
omitted. ] 
dels galore] tT leelaFel|staxla ll | 
Balgetiestyted de (delmealzre la ll 
Ath Psalmt. 
[The words of this melody were sung. They are placed in the 
usual manner under the music] thus, 
Beers bla ntoen cts ale bl col 
Ob Lord that art my righteous Judge, to ny complaint ylye ear. 
monotonous, in consequence of what I shall call the natural semitone which 
is found between every fundamental and its minor third. ‘Lhe minor mode 
likewise, as being more serious than the major, is better calculated, in ge- 
neral, for the solemnity of the pulpit. 
* The same signs are equally employed for the Semibreve, Minim and 
Crotchet. The proportions 1, 2,4, not the slowness or quickness of the 
movement, are the main object. 
+ Itis worthy of observation that, in this exquisite air, the Diapente is 
twice solfayed. This circumstance alone must render it an eliyible lesson. 
} Although it was thought adviseable that the Speaker should exercise his 
Q 4 voice 
