SECRETARY’S REPORT 35 
Walker, “The Art of Duplicating Great Art,” appeared in Vogue 
on August 15, 1948, and another, ‘‘American Masters in the National 
Gallery,” in the National Geographic Magazine in September 1948. 
Mr. Walker also contributed two book reviews, the first reviewing 
Bernard Berenson’s ‘‘ Aesthetics and History in the Visual Arts” 
to the October 1948 Gazette des Beaux-Arts, and the second, entitled 
‘The Philosophy of a Connoisseur,’ a review of Mr. Berenson’s 
‘Sketch for a Self-Portrait,’ to the New York Times for April 24, 
1949. Charles Seymour, Jr., published two articles, ““Note on the 
Relationship between an Illustration by Travies de Villers and 
Daumier’s ‘Le Fardeau’,” in the Journal of the Walters Gallery for 
1948, and in the Summer Bulletin of the Columbus Gallery of Fine 
Arts the text of the address given by him for the inauguration of a group 
of sculpture by Georg Ehrlich in the Columbus Gallery of Fine Arts. 
Printing of ‘‘Masterpieces of Sculpture from the National Gallery 
of Art,’ a volume prepared by Mr. Seymour, was begun during the 
summer of 1949. Mrs. Fern R. Shapley has written two book reviews, 
a review of Bernard Berenson’s ‘‘ Aesthetics and History’ which is 
to be published in the next number of the College Art Journal, and 
one on Evelyn Sandberg-Vavala’s ‘‘ Uffizi Studies” published in the 
January 1949 Gazette des Beaux-Arts. Miss Elizabeth Mongan 
contributed six articles for the volume honoring Paul Sachs; an article 
for the Color Print Society on ‘Rockport,’ a colored lithograph 
by Stella Drabkin; descriptions of 27 illuminated miniatures to Pro- 
fessor Faye for the second edition of Seymour de Ricci’s “Census 
of Manuscripts in America.”’ An article on Rowlandson by David 
Keppel was published in the winter, 1949, number of The Art Quarterly. 
An article by James W. Lane entitled ‘Religious Art Exhibit’ 
appeared in the Interracial Review, and one on ‘‘Contemporary 
Religious Sculpture Exhibition” in the Catholic University Bulletin; 
he contributed two book reviews on ‘‘Van Eyck’s the Holy Lamb,” 
by Leo Van Puyvelde, and ‘‘Robert Louis Stevenson,’”’ by David 
Daiches, to the Catholic World, and one on “American Landscape 
Painting,” by Wolfgang Born, to the Magazine of Art. Charles M. 
Richards wrote a report on a code for intermuseum loans for the 
American Association of Museums. 
An illustrated catalog of the Gulbenkian Egyptian sculpture was 
issued for the opening of the exhibition, and Mr. Seymour prepared 
a pamphlet on the Michelangelo ‘‘ David,” which was placed on sale 
during its exhibition. The book of illustrations of the Mellon Collec- 
tion went to press in the late spring of 1949; work on the new National 
Gallery of Art catalog is at an advanced stage. 
The Publications Fund during the past fiscal year has continued to 
add new subjects to the supply of inexpensive color reproductions 
