SECRETARY’S REPORT 31 
The Art Alliance, Philadelphia, Pa.: 
Contemporary Print Making in France, 8 prints. 
February 2 to March 1, 1948. 
Philadelphia Museum of Art, Philadelphia, Pa.: 
Collector’s Choice, 5 prints. 
February 7 to March 14, 1948. 
J. B. Speed Museum, Louisville, Ky. : 
“Great Passion” Woodcuts, 21 Diirer woodcuts. 
March 6 to March 28, 1948. 
Worcester Art Museum, Worcester, Mass. : 
d0th Anniversary Hxhibition, 22 prints. 
April 7 to May 15, 1948. 
Index of American Design.—Exhibitions from this collection were 
shown during the fiscal year 1948 at the following places: Ohio State 
Museum, Columbus, Ohio; N. W. Ayer Gallery, Philadelphia, Pa.; 
Library of Congress, Washington, D. C.; M. H. De Young Memorial 
Museum, San Francisco, Calif.; Pomona College, Claremont, Calif. ; 
Santa Barbara Museum of Art, Santa Barbara, Calif.; Los Angeles 
Public Library, Los Angeles, Calif.; Pasadena Art Institute, Pasa- 
dena, Calif.; Pfeiffer College, Misenheimer, N. C.; Schenectady 
Museum, Schenectady, N. Y.; Long Beach Art Association, Long 
Beach, Calif.; Children’s Museum, Denver Art Museum, Denver, 
Colo.; Honolulu Academy of Art, Honolulu, Hawaii; Winter Indus- 
tries Cooperative, Northeast Harbor, Me.; Children’s Museum, 
Irvington-on-Hudson, N. Y.; West Virginia Institute of Technology, 
Montgomery, W. Va.; San Joaquin Pioneer Museum, Stockton, 
Calif.; Western Reserve Historical Society, Cleveland, Ohio; Jewish 
Community Center, Washington, D. C.; Smithfield High School, 
Smithfield, Va.; Norfolk Museum of Arts and Sciences, Norfolk, Va.; 
University of Oregon, Eugene, Oreg.; Albion College, Albion, Mich. ; 
Washington County Museum of Fine Arts, Hagerstown, Md.; Joslyn 
Memorial Art Gallery, Omaha, Nebr.; New York State Historical 
Association, Cooperstown, N. Y.; Shaker Work Camp, Mt. Lebanon, 
NYE 
PAINTINGS FROM THE BERLIN MUSEUMS 
On March 6, 1948, it was announced that the National Gallery of 
Art, at the request of the Department of the Army, would place on 
exhibition from March 17 to April 18, 1948, the 202 paintings from 
the Berlin museums which were brought to the United States in 1945 
for safekeeping, and which had been stored since that time in the 
National Gallery of Art. Shown during the Gallery’s regular exhibi- 
tion hours, the paintings attracted widespread public interest, and 
were viewed by such large numbers of visitors that new attendance 
records were established. The exhibition was extended for one week 
to April 25, and the total attendance reached an all-time high of 
964,970 visitors, which is believed to be a record for any museum or 
