

20 



onn 



- and 



tl 



leierhts; and lastly, in the outline of the base, by 



r 



xiilding beini; |>lacecl on ground of different levels. 



o 



all 



ir 



U 



i<-< must be added, detached buildings, which tend to spread 



h , and extend the importance of the principal pile, in 

 ne one feature ought to rise boldly above the rest of the 



the whole should be broken, but not too 



clusters of lofty 



i 



*» 



in 



III 1 1 4 



frittered into parls by smaller towers 



liimne\ 



Alter all, no building can appear truly picturesq 



te outline the design be enriched by vegetation (such 



1 1 1 e r creeping plants) ; and the 



we. 



An 



t 



louring, by those 



winch nine alone 



to 



d tl» 



throw over the works 



wilh 



.<l 



composition into j 



o 

 the works of Nature, and bring the 



gha 



Ilsii 



111 



in 



wl 



rmony 



book 



rt|>n 



triatllij 



s of Architecture 



le 



nig parte, or else perspectively 



'"ions of buildings has been either geome 

 pective to denote the projecting and reced 



b i 



from an imaginary spot in th 



bird's eye view supposed to 



these may b 



|>n bended by general obsen 



to professed Architects, th 



However intel- 

 ey are as little 



do 



ing by those who are not 



understand a pi 



ashamed to 



as the ground plan of 



cknowledg 



th 



e y 





*. ~cr :: . : zT y> and the beauties ° f Goti,ic -* *• *» rf 



-a Bvn, took \ be £^ * "— ^^ works , of which, that by Hearne 



-~£J^L£^r*^.«* ***** co mb Lo„ of 



These works have already been followed by many 



■ngeniou, productions, tending to increase th* t i , d by ° Wny ° ther 



««•• «udy of picturesquc £ffe * ***" t,,e knowl «Jge of Enghsh Antiquities, and 



