



1 25 



and the four circles may be herceauoc 



will 



1 



creepers, or they may be grass plots with vases 

 am aware that this will cause some alarm to I ho 



oops to support 



statues 



se 



all Nature at 



wl 

 with Art, and who will exchi 



10 



fancy 



. that 



it is going back to the old fashioned formal gardening of former 



day 



I answer by reminding them, that I am nol 



de 



scrib 



ing a Landscape, but a Garden; and "AG 



DEN IS A WORK 



Art 



USING THE 



N 



yy 





Among the infinite variety of flowers which adorn the Gar 



en, th 



ere are some so minute, that 



ley require 



from the ground to meet th 



being lifted 



e 



eye 



> 



and some so formed, that 



they should be raised even above the eye, to shew their beauti. < 

 (such as the Fuscia, the Meadea, and other pendulous plants): 



to provide for these, we will suppose four beds of fossils or 

 flints, or rocky fragments, for the reception of that interesting 

 class of plants, which requires such a soil and situation : these 

 are described on the Plan by purple and yellow. As occasional 

 spray from a fountain might wet the gravel walk, it should be 

 neatly paved with pebbles round the basin. 



On that side of the Flower Garden which fronts towards the 



south, is a house for peaches and strawberries. On the side 

 opposite, and in some degree corresponding, is a row of posts 

 with hoops to train creepers, and an architectural gate commu- 

 ni eating with the park, betwixt two projecting lines of shrub- 

 bery, which are meant to consist of every kind of thorns, towards 

 the park to the south, and American plants towards the garden 



to 



e n 



orth 



Th 



is attention to 



orth 



an 



soutn 



ery 



