230 Trumbull Gallery of Paintings in Yale College. 
lery which had been taken were marched off to Philadelphia, 
where their arrival caused the most unbounded joy. 
No. 12,—Foun Heaps. Oil Miniatures. 
Tomas Pinckney, Minister to Great Britain, 1791. 
Judge Jonn Rutieper, 1791. 
Cuar.es Coreswortu Pinckney, 1791. 
General Moutrrir, 1791. 
No, 13.—Copy of the TRANSTIGURATION, the celebrated mas- 
terpiece of Raphael. 
No. 14.—Copy of Correcero’s* celebrated picture, called the 
Sr. Jerome, ar Parma. Painted in Tothill Fields Prison, near 
London, where the artist was confined on the charge of High 
Treason, during the winter of 1781. 
No. 15.—Copy of the most admired picture of Rare, called 
the “ Maponna pects Sep1a”—i. e. “ Our Lapy or THE Cuair.” 
Painted in London, October, 1780, in the house and under the 
eye of Mr. West. 
No. 16.—Copy of the Communton or Sr. Jerome, the master- 
piece of Dominicuino. (See the Appendix.) 
No. 17.—Portrait of Con. Trumeui, by Waldo and Jewitt. 
No. 18.—Portrait of Mrs. Trumpurs, by the Colonel. 
No. 19.—Preparine THE Bopy or ovr Savior ror THE Toms. 
a Correggio was born in 1494, at Correggio, a small town in the Duchy of 
Modena. His real name was Antonio Allegri, de Correggio, or of Corregg!o, bai 
cording to the Italian and French custom. He died in 1534, at the age 0 *"> 
and was, therefore, cotemporary with Raphael, M. Angelo, Titian, &c- His 
knowledge of light and shadow. He wanted only correctness of drawing to have 
rendered him superior even to Raphael. The little Madonna and infant Savior 
communion of St. Jerome, by Dominichino; 
which of these three is the best, is undecided. 
