Trumbull Gallery of Paintings in Yale College. 243 
No. 33.—Hon. SterHen Van Renssevarr. 
No. 34.—T'ue Woman Accusep oF HAVING BEEN TAKEN IN ADUL- 
teryY.—St. John, viii, 2—11. London, 1811. 
* And the Scribes and Pharisees brought unto him a woman 
taken in adultery ; and when they had set her in the midst, they 
say to him, Master, this woman was taken in adultery, in the very 
act: now, Moses in the law commanded us that such should be 
stoned ; but what sayest thou? This they said, tempting him, 
that they might have whereof to accuse him: so when they con- 
tinued asking him, he lifted himself up and said unto them: He 
that is without sin among you, let him first cast a stone at her. 
And they which heard, being convicted by their own pesto. 
went out one by one.” 
No. 35.—Sr. J onn anp Lams,—from memory of an exquisite 
picture by Murillo, in sine of the emperor of Russia. Paint- 
ed in London, 1800. 
No. 36.—Porrrart or Presipent Wasnineron,—head, the 
size of life. Painted in Philadelphia, May, 1793. 
No. 37.—Tue Earn or Ancus, ConrERRING KNIGHTHOOD ON 
De Witton. See Sir Walter Scott’s Marmion.—Painted in 
London, 1810. 
« A Bishop by the altar stood, - 
A noble lord of Douglas’ blood; . citsaates 
With mitre sheen, and rocquet white, 
‘But little pride of prelacy,” &e.&e. 
«Beside him, ancient Angus stood, 
Doff'd his furr’d gown and sable hood : 
O’er his huge form and visage pale, 
He wore a cap and shirt of mail ; 
And lean’d his large and wrinkled hand 
Upon his huge and sweeping brand,” &c. &c. 
«Then at the altar Wilton kneels, 
And Clare the spurs bound on his heels ; 
And think what next he must have felt, 
At oe of the falchion belt ; 
a ee her hue,” &c. &c. 
*s Marmion, Canto 6, Stanzas 11 and 12. 
