1790 ARBOIIETUM AND FRUTICETUM. PART III. 



Stoutness of its limbs. We know tree, except, perhaps, the cedar of Leba- 

 non, so remarkable in this respect. The limbs of most trees sprint: from the 

 trunk : in the oak they may be rather said to divide from it ; for they },'ene- 

 rallv carry with them a "^reat share ofthc substance of the stem. You often 

 scarcely know which is stem and whicli is branch; and, towards the top, the 

 stem is entirely lost in the branches. This gives particular propriety to the 

 epithet * fortes,' in characterising the branches of the oak ; and hence its 

 sinewy elbows are of such peculiar use in ship-building. Whoever, therefore, 

 does not mark the ' fortes ranios' of the oak, might as well, in painting a Her- 

 cules, omit his muscles. But I speak only of the hardy veterans of the forest. 

 In the effeminate nurslings of the grove we have not this appearance. There 

 the tree is all stem drawn up into height. When we characterise a tree, we 

 consider it in its natural state, insulated, and without any lateral pressure. In 

 a forest, trees naturally grow in that manner. The seniors depress all the 

 juniors that attempt to rise near them; but in a planted grove all grow up 

 together, and none can exert any power over another. The next character- 

 istic of the oak is the twisting of its branches. Examine the ash, the elm, the 

 beech, or almost any other tree, and you may observe in what direct and 

 straight lines the branches in each shoot from the stem ; whereas the limbs 

 of an oak are continually twisting here and there in various contortions, and, 

 like the course of a river, sport and play in every possible direction; sometimes 

 in long reaches, and sometimes in shorter elbows. There is not a characteristic 

 more peculiar to the oak than this. 



" Another peculiarity of the oak is its expansive spread. This, indeed, is a 

 just characteristic of the oak ; for its boughs, however twisted, continually 

 take a horizontal direction, and overshadow a large space of ground. Indeed, 

 where it is fond of its situation, and has room to spread, it extends itself 

 beyond any other tree ; and, like a monarch, takes possession of the soil. 

 The last characteristic of the oak is its longevity, which extends beyond that 

 of any other tree : perhaps the yew may be an exception. I mention the 

 circumstance of its longevity, as it is that which renders it so singularly pic- 

 turesque. It is through age that the oak acquires its greatest beauty ; which 

 often continues increasing even into decay, if any proportion exist between 

 the stem and the branches. When the branches rot away, and the forlorn 

 trunk is left alone, the tree is in its decrepitude — in the last stage of life, 

 and all beauty is gone." Gilpin concludes this characteristic description with 

 the following words : — "I have dwelt the longer on the oak, as it is confess- 

 edly both the most picturesque tree in itself, and the most accommodating in 

 composition. It refuses no subject either in natural or in artificial landscape. 

 It is suited to the grandest, and may with propriety be introduced into the 

 most pastoral. It adds new dignity to the ruined tower and (Jothic arch : by 

 stretching its wild moss-grown branches athwart their ivied walls, it gives 

 them a kind of majesty coeval with itself; at the same time, its propriety is 

 still preserved, if it throw its arms over the purling brook, or the mantling 

 pool, where it beholds 



' Its reverend image in th' expanse below.' 



Milton introduces it happily even in the lowest scene : — 



' Hard by, a cottage chimney smokes 

 From between two aged oaks.' " 



Some valuable remarks on the picturesque beauty of the oak, and on its ileli- 

 neation,will be found in the Magrizim-of Xnliirn/ Ifhfon/, comnmnicMcdhyMr. 

 Strutt, unquestionably the best delineator of trees in this or any other country. 

 " European trees," he observes, " may by the painter be diviiled into four 

 classes; the round-topped, as the oak, chestnut, elm, willow, ash, beech, I've. ; 

 the spiry-topped, as the different species of the fir tribe ; the shaggy-tojiped, 

 com|)rehen(ling tho.se of the pine; and the slender-formed, as the Lombardy 

 poplar and the c\ press. In the first of these classes, foremost in dignity and 

 grandeur, the oak stands [)reeniinent, and, like the lion among beasts, is the 



