386 



LANDSCAPE DESIGN 



Cleveland, H. W. S., 57 



Clients, point of view as stimulus to designer, 

 15-16; tastes consulted by Japanese de- 

 signers, 56; desires expressed by landscape 

 designer in terms of effects, 86-87 ; desires 

 interpreted by designer of estate, 249; 

 desires in relation to choice of site for estate, 

 273 ; charges of landscape architect to, 

 326-28; relations with landscape architect 

 and contractor, 332-33 ; desires considered 

 in landscape design, 338-39 



Climate, eff'ect on historic styles of landscape 

 design, 29 



Climax, in composition, 91-92 



Climbing in Alps, sequence of effects of 

 landscape, 84-85 



Clouds, as aff^ecting landscape character of 

 prairie, 64; as element in landscape com- 

 position, 129 



Coasting, provision for, in the large landscape 

 park, 305-6 



Codman, Henry Sargent, ref., 361 



Codman Collection of books on landscape 

 gardening, ref., 361 



Cold frames, 265, 266 



College buildings, 194 



College grounds, 232 ; paths in, 226; ref., 376 



Collodi (Garzoni), Villa, 41 ; illus., opp. 40 



Colonial gardens, American, ref., 366 



Colonial, New England, style of landscape 

 design, 50-51 



Color, as modifying shape composition, loi ; 

 in composition, 104-11; and light, 105-6; 

 hue, intensity, and value m color composi- 

 tion, 106-7; emotional eff^ect of colors, 107; 

 color harmony, 107-10; in landscape com- 

 position, iio-ii; illusions of, difficult, 117; 

 diff"erentiation of planes of distance, 127; 

 reflected in water, 137; of rocks, 146; 

 in ground surface, 148; of plant materials, 

 151, 159-64; of foliage, 159-62; of trees 

 and shrubs in winter, 162 ; of flowers, 162-64; 

 nomenclature, 163 ; in inclosing plantations, 

 168-69; as giving individuality to plants, 

 172; in tree and shrub groups, 175; ar- 

 rangement of herbaceous plants in beds, 

 179; in carpet bedding, 181-82; of turf as 

 background, 182; of buildings in harmony 

 with landscape, 190; of buildings dominat- 

 ing landscape, 191; color harmony of 



buildings in groups, 194; relations of build- 

 ings and landscape surroundings, 195-96, 

 '■</^-> 373; of steps in landscape, 204; of 

 statuary in relation to landscape, 212; 

 of reflections in pools, 216; in materials of 

 roads and paths, 227-30; color of flower 

 as giving distinctiveness to garden, 238; 

 color in representation on landscape plans, 



348. 349 

 Comfort stations, in the large landscape 



park, 315 

 " Commercial recreations," relation to the 



landscape park, 307-8 

 " Commons," as part of recreation system, 



297 . . 



Competitions, in professional practice of land- 

 scape architecture, 332 



Composition, in landscape and in painting, 

 88-89; order in, objective and subjective, 

 89-90; forms of order in, 93-97. See also 

 Landscape composition 



Compositions, pictorial, segregation of, 90; 

 typical kinds, 123-24; example: the vista, 

 124-25 



Compost yards, 265, 266 



Concrete, as material of roads and paths, 

 228-29. See also Cement concrete 



Conder, Josiah, ref., 365 



Conduct, professional, of the landscape archi- 

 tect, 325-26 



Construction, use of word, 6 ; relation to 

 choice of style, 60; of roads, note, 220; 

 relation to design of estate, 273-74; super- 

 intendence of, 351-53 ; refs., 381 



Contractors, relations with landscape architect 

 and client, 332-33; functions in landscape 

 construction, 351-52 



Contracts and specifications, 344 



Contrast, in landscape eflPects, 83-84; in 

 composition, 91-92 ; of foliage color, 160 



Cooperation of landscape architect with 

 other practitioners, 333-34 ; in city planning, 



334 

 Cope, Walter, ref., 366 

 Corner lots, in land subdivision, 288 

 Cottage, English, style of landscape design, 



49-50 

 Cottages, German, 52' 

 Country clubs, 232; land set aside for, in 



subdivision scheme, 290-91 



I 



