400 



LANDSCAPE DESIGN 



Sailing ship, example of esthetic from 

 economic unity, i8 



St. Catherine's Court, Somerset, illus., opp. 

 48 



St. Cloud, 44 



St. Germain, 44 



Salem, Nichols garden, illus., plate 5 



Salisch, Heinrich von, ref., 371 



Sand dunes, a landscape character, 66 



Santayana, George, quoted, 20; 7iote, 21 



Sargent, C. S., ref., 362 



Scale, in Japanese garden design, 55, 56; in 

 composition, 101-3 ; absolute and relative, 

 loi ; indication in landscape composition, 

 101-2 ; steps as giving, 201 



Scale relation, between rock and planting, 

 147; between texture and form in plants, 

 157; in carpet bedding, 181; of objects in 

 garden design, 246; of shelters and house 

 as part of same composition, 262 



Scenery, characteristic, value and preserva- 

 tion, 74-75. See also Landscape 



Scent, in garden design, 14-15, 35. 37 



Schneider, Camillo Karl, 52; ref., 367 



Schools, area reserved for, in land sub- 

 division, 289-90 



" Schools," of design, 25-26 



Schools, professional, study of landscape 

 architecture in, 4 



Schultze-Naumburg, Paul, note, 52; ref., 374 



Sckell, Friedrich Ludwig von, 47, 52 



Scotland, gardens, ref., 375 



Scott, Geoffrey, note, 79 



Screen, wall or fence as, 204; composed of 

 separate objects seen in perspective, 235; 

 of service yard, 263 



Screen plantations, 104, 170, 184; around 

 garden, 235-36 



Sculptor, comparison with landscape designer, 

 90, 151, 152, 342 



Sculpture, see Statuary 



Sea, effect compared to that of prairie, 64; 

 giving effect of sublimity, 79; effect of 

 infinity, 136; ref., 369 



Seashore planting, 165 



Season, as affecting landscape effects, 83 ; as 

 giving distinctiveness to garden, 238 



Seats, in German gardens, 54; in composition, 

 125, 128; in garden design, 241, 246, 262; 

 in the large landscape park, 316-17 



Seavey, Frances Copley, ref., 376 



Seclusion, effect of valleys, 135 ; effect sought 



in the large landscape park, 300-1 

 Sedding, John D., ref., 374 

 Sedgwick, Mrs. Mabel Cabot, ref., 371 

 Sensation, process, 7-8 ; sources of pleasure in. 



Sequence, in composition, 94-96; of con- 

 tinuation or repetition, 94-95 ; intensifica- 

 tion of emotion from, 97-98 ; of shapes in 

 composition, 100; of textures in composi- 

 tion, 104; in color composition, no; in 

 mountain forms, 133; in valleys, 134; 

 between ground and structure, obtained by 

 planting, 187-88; in garden design, 236-37 



Sequoia grove, a landscape character, 66-67 



Service areas, in the estate, 249, 252, 255, 

 263-66 



Service buildings, in the estate, 249, 263-64; 

 in the large landscape park, 314-15 



Service courts, 263, 271 



Service traffic, on the estate, 270-72 ; in parks, 

 309-10 



Set back restrictions, in land subdivision, 293 



Sewage considerations, in land subdivision, 

 284 



Shade, use in historic styles of landscape de- 

 sign, 35, 36, 41; along roads, 223. See 

 also Light and shade 



Shadows, in pastoral landscape, 70; color in 

 distance, 1 14-15; as enframement, 126-27; 

 making interest in ground surface, 148; in 

 interior of trees, 159; in reflections of 

 waterside planting, 185; of trees on build- 

 ings, 188; representation on landscape 

 plans, 350 



Shakespeare garden, 239 



Shaler, Nathaniel Southgate, quoted, 12; 

 note, 92; refs., 367, 369 



Shape, in composition, g8-ioi ; individuality 

 through, in landscape composition, 99-100; 

 value of shapes and their arrangement in 

 composition, loo-i ; scale relation of tex- 

 ture to, 103-4; illusions of, in composition, 

 119-20; in plant materials, 151; in inclos- 

 ing plantations, 168-69; as giving individu- 

 ality to plants, 172; in tree and shrub 

 groups, 175; in carpet bedding, 180-82; of 

 buildings in relation to topography, 189- 

 90; of buildings dominating landscape, 191; 



