368 LANDSCAPE DESIGN 



THEORY OF LANDSCAPE DESIGN AND APPRECIATION 

 S^ Chapters II to VI of this book. 



ABEL, LOTH A R. 



Aesthetik der Garten-Kunst. Als Manuscript gedruckt. Wien, 1877. 62 pages, 

 illus. 

 Note especially: Der Begriff des Styles, p. 20-23. 



ANDRE, DOUARD. 



L'Art des Jardins. 1879. 



Esthetique. Ch. IV, p. 91-103. 



Du Sentiment de la Nature. Ch. V, p. 104-119. 



Des Genres. Des Scenes. Du Style. In Ch. VI, p. 136-152. 



BLOMFIELD, REGINALD, AND F. INIGO THOMAS. 



The Formal Garden in England. (See under ESTATES AND GARDENS.) 



COPE, WALTER. 



The Relation of Natural to Artificial Beauty in Landscape. In House and 

 Garden, Dec. 1902, v. 2, p. 595-611. 



ELIOT, CHARLES. 



What would be Fair must first be Fit. In Garden and Forest, Apr. I, 1896, v. 

 p. 132-133. Also reprinted in Charles Eliot, Landscape Architect, p. 549-553. 



ELIOT, CHARLES WILLIAM. 



Need of conserving the Beauty and Freedom of Nature in Modern Life. In 

 National Geographic Magazine, July, 1914, v. 26, p. 67-73. 



HAMERTON, PHILIP GILBERT. 



Landscape. With original etchings and many illustrations from pictures and 

 drawings. London, Seeley & Co., 1885. 386 pages. (Also a smaller unillus- 

 trated American edition, 1890.) 

 On landscape appreciation. 



:">' ' 1 " ,- 



LOUDON, JOHN CLAUDIUS. 



Influence of Climate and Manners on Gardening, as an Art~of Design and Taste. 

 In his Encyclopedia of Gardening, Part I, Book II, Section II. 



MANWARING, ELIZABETH W. 



Italian Landscape in i8th Century England. London, Oxford University Press, 

 1925. 243 pages, illus. 



MARCUS, HUGO. 



Die ornamentale Schonheit der Landschaft. (See under LANDSCAPE coi 

 POSITION.) 



