400 



LANDSCAPE DESIGN 



Effect (s), Landscape, see Landscape effect (s) 



Elements in landscape composition : tempo- 

 rary elements, 129; natural forms of ground, 

 rock, and water, 130-50; vegetation, 151- 

 88; structures, 189-230 



Elgood, George S., refs., 379, 381 



Eliot, Charles, 57; notes, 18, 68; refs., 362, 

 364, 368, 372, 385, 392 



Eliot, Charles W., refs., 364, 368, 385 



Eliot, Charles W., 2nd, ref., 375 



Elizabethan pleasure garden, 49 



Elwood, Philip H., Jr., ref., 379 



Ely, Richard T., refs., 387, 391 



Emerson, William, ref., 375 



Emotion, experience, association, and, 12-16; 

 in landscape effect, 22; expressed in Ro- 

 mantic landscape style, 46; and landscape 

 effects, 76-82 ; intensification from repeti- 

 tion, sequence, and balance, 97-98; sug- 

 gested by different shapes, 100 



Emotional effects, in Romantic landscape 

 style, 46-47, note, 77; in Japanese styles, 

 55-56; of colors, 107; from water in 

 landscape, 137; produced by expression 

 of trees, 166. See also Landscape effects 



Emphasis, in composition, 91-92 



Enframement, pictorial, in landscape com- 

 position, 90, 124, 126-28; of plains, 136; of 

 views into inclosing plantations, 168; of 

 structures by planting, 1 86-87 ; of steps, 203 ; 

 of statuary, 212-13. S^ also Inclosure 



Engineer, comparison with landscape archi- 

 tect, 325-26, 327; cooperation in city 

 planning, 334; preparing topographic map 

 for landscape architect, 339 



Engineering, 3, 232 



England, Romantic landscape style in, 45- 

 47 ; Tudor formal style of landscape design 

 in, 47-49; cottage style of landscape de- 

 sign, 49-50, its influence in America, 50- 

 51; influence of English landscape style in 

 America, 57-58; pastoral landscape, 61, 69- 

 70; gardens, refs., 365, 366, 367, 374, 377, 

 379-80 



Entrance drives, formal, 226; and forecourts, 

 258 ; in design of estate, 269-71 



Entrance gates, to estates, 209; and fore- 

 courts, 258 ; and lodges, 263-64 ; to the 

 large landscape park, 308-9 



Ermenonville, note, 47; illus., plates 2, 3 



Espalier trees, 206 



Estates, in modern German formal style, 

 53-54; in modern American landscape 

 style, 58-59; development of landscape 

 character units in, 71 ; turf in, 183 ; build- 

 ings of, dominating landscape, 191 ; pavil- 

 ions in, 197; roads in, crossings, 222; 

 as type of landscape design, 232 ; 



design of the estate, 247-74 ; as express- 

 ing the owner's desires, 247-49; physical 

 elements, 249-72: the house, 250-57; loca- 

 tion and orientation of house, 253-57; the 

 house terrace, 257-58; the forecourt, 258- 

 59; the garden as a unit of the estate, 259- 

 6l ; avoidance of traffic through garden, 

 259-60; pleasure buildings, 261-62; house 

 service areas, 263 ; estate service buildings 

 and areas, 263-66; the greenhouse, 264-65; 

 reserve and vegetable gardens, 265-66; 

 tennis courts and areas for other recreations, 

 266-67 > the open lawn, 267-68 ; tree-shaded 

 areas, 268 ; natural character units, 268-69; 

 access, 269-72 ; approach roads, 269-71 ; 

 paths, 271-72; 



design of the whole estate, 272-73; 

 choice of site for, 273-74; apportionment 

 of estate area into units required, 274; 

 typical drawings for development, 355-56 

 and illus., following ; list of plants to accom- 

 pany planting plan for, 357; refs. ,377-82. 

 See also Lots in land subdivision 



Este, Villa d', 40, 203, 213, 214 



Esthetic theory of design, psychological basis, 

 7-16 



Evans, Mary, ref., 362 



Evergreens, specimens as building decoration, 

 1 88; for winter effect in garden, 260-61 



Exhibitions, public, of landscape architecture, 



331. 



Experience, emotion, and association, 12-16 

 Exposition grounds, 232; ref., 383 

 Expression, esthetic, 19; style and, 22 

 Extent, effect of style of Le Notre, 42-44; 



effect of prairie, 64-65 ; and sublimity, 79 ; 



effects of perspective, 102 ; effect sought in 



the estate, 267, in the large landscape park, 



300-1 



Falconieri, Villa, illus., opp. 112 

 Falke, Jakob, quoted, note, 29 



