402 



LANDSCAPE DESIGN 



Fountain basins, 36, 44, 195 



Fountains, in historic styles of landscape de- 

 sign, 36, 40, 41, 43 ; as objects in com- 

 position, 123, 125; texture of material, 

 195 ; enframed by steps, 203 ; free-stand- 

 ing, as elements in landscape design, 215; 

 in pools, 216; in garden design, 244-46 



Fountains, Wall, 213-14; in garden design, 

 241, 246 



Fouquier, Marcel, ref., 366 



Fox, Helen Morgenthau, ref., 380 



France, Le Notre's style of landscape design 

 in, 42-45, its influence in England, 49; 

 Romantic landscape style in, 46; estates 

 and gardens, refs., 366, 367, 380 



Franklin Park, Boston, see Boston 



" Free landscape," 68, 75 



French, Leigh, Jr., ref., 380 



Fruit, of trees and shrubs, in planting design, 

 162 



Fruit trees, in historic styles of landscape de- 

 sign, 36, 51 



Gallotti, Jean, ref., 382 



Gamberaia, Villa, note, 117; illus., opp. 26 



Garages, in the estate, 263, 271 ; restrictions 

 in land subdivision, 292-93 



Garden and Forest, ref., 362 



Garden Club of America, ref., 362 



Garden furniture, 54; ref., 375, 376 



Garden theaters, 266-67 



Gardener's yards, 265, 266 



Gardens, kinds of esthetic pleasure from, 

 example, 8; origin of historic styles, 30; 

 Moorish in Spain, 35; Moghul in India, 

 36-39; Italian Renaissance and Baroque, 

 39-42; French, in style of Le Notre, 42- 

 44; English Tudor and Elizabethan, 47- 

 49; English cottage, 50; New England 

 colonial, 51; German, 54; Japanese, 55- 

 57; styles of gardens compared to char- 

 acters of valleys, 63 ; illusions of shape, 

 120; illusions of size, 120; views in, 122; 

 as pictorial compositions, 123; flower color 

 in, 163; flower beds in, 177-79; according 

 to plant character, 179; significance of 

 statuary in, 211-12; as type of landscape 

 design, 232; 



design, 233-46: definition and use of 

 word, 233-34; esthetic characteristics, 



as 



2 34~37> inclosure, 234-35; plants in, 235 

 36; unity of effect, 236; recognizably 

 work of design, 236-37; formal and no 

 formal arrangements, 237; ways of giving 

 a garden distinctiveness : topography, form, 

 season of greatest beauty, material, asso- 

 ciation, 237-39; choice of style, 239; com- 

 position and compositional elements, 239- 

 46; inclosure materials, 240-42; retaining 

 walls and banks, 240-41 ; high boundaries, 

 241 ; the house as part of garden boundary, 

 242 ; " floor " materials, 242-44 ; typical 

 compositional arrangements of the garden 

 floor, 243-44; objects marking points of 

 interest in the garden composition, 244-46; 

 suitability of different objects to this pur- 

 pose, 245-46 ; 



the garden in the estate, 249; as affect- 

 ing house location, 255 ; design as a unit 

 of the estate, 259-61 ; in apportionment of 

 estate area, 274; community gardens set 

 aside in land subdivision, 290; refs., 369, 

 377-82. See also Formal gardens 



Gardens, Public, carpet bedding in, 182 

 part of recreation system, 297 



Gardens, Reserve, in the estate, 265-66 



Gardens, Rock, 207; bridges in, 218 



Gardens, Vegetable, in the estate, 265-66 



Gardens, Wall, ref., 373 



Gardens, Water, ref., 373 



Gardens Old and New, ref., 379 



Garlands between posts, as boundary, 170 



Gartenkunst, ref., 363 



Gartenschonheit, ref., 363 



Garzoni (Collodi), Villa, 41 ; illus., opp. 40 



Gate-lodges, 263-64 



Gates 'and gateways, illusion, 117; as elements 

 in landscape design, 209-10; in garden 

 design, 241, 245 ; from forecourt to service 

 court in the estate, 271 ; to large landscape 

 parks, 318. See also Entrance gates 



Gayety, a landscape effect, 82 



Gazebos, 196, 197, 262 



Gazing-globes, 210, 245, 262 



General plans, 345 



GeneralifFe, 35; illus., opp. 36 



Genius, and esthetic analysis in design, 16; 

 in choice of ideal in design, 28 



Geniuses, as founders of artistic tradition, 26 



" Geometrical " styles of landscape design, 34 



