INDEX 



paths to, 312-13; influence on layout of 

 land subdivisions, rff., 387 



Torrey, Raymond H., ref., 386 



Touch, sense of, consideration in landscape 

 design, 7; in perception of shape, 98; in 

 perception of texture, 103 



Tradition, in design, 25-26 



Traffic, steps and, 201-4; gates and, 209-10; 

 and bridges, 216; roads and paths, 219- 

 30; service and pleasure, in relation to 

 house location, 254-55 ; considerations of, 

 in design of estate, 269-72 ; consideration 

 in land subdivision, 282-86; in relation to 

 planting of the large landscape park, 301- 

 4; relation to circulation in the large land- 

 scape park, 308-14 



Training, for professional practice of land- 

 scape architecture, 4-5 ; and attraction of 

 attention in landscape composition, 91 



Trees, Moghul symbolism, 36; in Italian 

 villas, 42 ; in style of Le Notre, 44 ; in 

 Romantic landscape style, 46; in English 

 Tudor style, 48; in Japanese gardens, 55; 

 in modern American landscape style, 59; 

 in landscape characters, 66, 69, 70; giant, 

 giving effect of sublimity, 66-67, 79~8o; 

 use in municipal forests treated with re- 

 gard to landscape character, 72-73 ; in 

 landscape composition, 99-100, 102, 123, 

 125, 126; forms, 153-54; classes of forms 

 and their uses in design, 154-55; in rela- 

 tion to stages of growth, quotation from 

 Garden and Forest, note, 155; form the 

 expression of mode of growth, 155-56; 

 winter form, 156; in topiary work, 156-57; 

 winter color, bark, and fruit, 162; per- 

 sonification, 1 66; design of tree masses, 

 167; specimen trees in planting design, 

 171-73 ; forms suitable for specimens, 172; 

 tree groups, in planting design, 173-75; 

 composition of groups, 174-75 ; clipped trees 

 on parterres, 181 ; planting in relation to 

 topography, 183-85; trees as enframement 

 of structures, 186-87; clipped trees increas- 

 ing dominance of buildings in landscape, 

 191 ; form relation of trees to buildings in 

 landscape, 193; in building groups, 194; 

 enframing steps, 203 ; along roads, 223 ; 

 inadequate as central feature in formal 

 garden, 237; formal arrangement in gar- 



417 



den, 245-46 ; woods on the estate, 268 ; 

 planting along roads in estate, 269; in 

 street planting strips, 285 ; planting in the 

 large landscape park, 302-3 ; planting 

 along park roads, 311; in List of Plants 

 to accompany planting plan for suburban 

 estate near Boston, Mass., 357-59; in 

 planting design, refs., 371-74. See also 

 Inclosing plantations 



Trellises, vine, 172; lattice fences as, 208 



Triggs, H. Inigo, note, 77; refs., 367, 380, 382 



Tub plants, in style of Le Notre, 44; as 

 building decorations, 188; in garden de- 

 sign, 245-46 



Tudor formal style of landscape design in 

 England, 47~49 



Tundra, a landscape character, 65-66 



Tunnels, for roads crossing at separated 

 grades, 222 



Turf, in English Tudor style, 48 ; in English 

 pastoral landscape, 70; in planting design, 

 182-83 ; on terrace banks, 200-1 ; gutters, 

 220; paths, 225, 230; in garden design, 

 243-44; areas for sports and games on 

 estate, 266 ; in landscape parks, 301 



Turf panels, 227, 230, 245-46 



Turnarounds, see Forecourts, Roads, Service 

 courts 



Twilight, as bringing out composition of land- 

 scape, 113 



Types, defined, 21 



Types of landscape designs, 231-323; refs., 

 376-77 



Tyrrell, Henry Grattan, note, 217; ref., 376 



Udine, Jean <T, note, 14 

 Ugliness, definition, 20 

 Underwood, Loring, ref., 376 

 United States, early styles of landscape design 

 in, 57; estates and gardens, refs., 379. S^ 

 also headings beginning with word National 

 U. S. Bureau of Industrial Housing and Trans- 

 portation, ref., 388 



U. S. Department of Commerce, refs., 391 

 United States Housing Corporation, ref., 388 

 United States Shipping Board, ref., 388 

 Unity, of objects, 9 ; importance in design, 

 10; as completeness of organization, 16- 

 17; logical, 17; ethical, 17-18; economic, 

 18; esthetic, 19; and attention, 90 



